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Discipline ID
06a6acf3-73c3-4ed3-9f03-6e1dafb7e2cb

COURSE DETAIL

SHAKESPEARE: THE PLAY, THE WORD, AND THE BOOK
Country
United Kingdom - England
Host Institution
University of London, Queen Mary
Program(s)
University of London, Queen Mary
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
English
UCEAP Course Number
155
UCEAP Course Suffix
A
UCEAP Official Title
SHAKESPEARE: THE PLAY, THE WORD, AND THE BOOK
UCEAP Transcript Title
SHAKESPR:PLAY/WORD
UCEAP Quarter Units
6.00
UCEAP Semester Units
4.00
Course Description
This course examines Shakespeare's development as a dramatist and poet, and covers a range of his plays and poems in detail. The course situates Shakespeare's work within the specific historical contexts of stage history and print culture, and examines the latest developments in Shakespeare criticism. Students explore the history of Shakespeare stage, consider the ways in which he re-worked his source material, examine the literary and performative contexts of the period, and look at how his texts appeared in both performance and in print. The course examines some of the problems involved in the transmission and editing of Shakespeare's texts, and the resulting implications for contemporary criticism and performance.
Language(s) of Instruction
English
Host Institution Course Number
ESH366A
Host Institution Course Title
SHAKESPEARE: THE PLAY, THE WORD, AND THE BOOK
Host Institution Campus
Queen Mary University of London
Host Institution Faculty
Host Institution Degree
Host Institution Department
School of English and Drama

COURSE DETAIL

MAKING THE PERSONAL POLITICAL: WOMEN'S SELF-PORTRAITS FROM ANALOGUE TO DIGITAL
Country
United Kingdom - England
Host Institution
King's College London
Program(s)
English Universities,King's College London
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
English
UCEAP Course Number
123
UCEAP Course Suffix
E
UCEAP Official Title
MAKING THE PERSONAL POLITICAL: WOMEN'S SELF-PORTRAITS FROM ANALOGUE TO DIGITAL
UCEAP Transcript Title
WOMEN SELF-PORTRAIT
UCEAP Quarter Units
6.00
UCEAP Semester Units
4.00
Course Description
The academic study of life-writing has often privileged male narratives of the self. Diaries, letters, and memoirs have become part of a gendered canon in the philosophical study of humanity and subjectivity. Paradoxically, women's autobiographical works are routinely dismissed as too personal to be of relevance to a general audience. While autobiographical works written by men are read as important contributions to knowledge about the human, those by women are frequently read as frivolous, echoing other gendered inconsistencies in the perception of “male” and “female” genres by intellectual commentators. In tandem with primary texts, the integration of theoretical secondary readings examines how feminist theory has offered radical approaches to the study of the self. This course explores the development of women's autobiography through different media forms over the course of the late 20th and early 21st centuries in the UK and USA. This exploration highlights the cultural, social, and technological shifts that have enabled new avenues of creation and distribution for women whose voices have been doubly marginalized by inequalities of race, class, sexuality, or gender identity. The move from analogue to digital media in the production and dissemination of autobiographical material are explored in relation to questions of ephemerality, longevity, and value. From diaries to political essays, memoirs, photographs, graphic novels, web series, films, blogs, and music videos, the texts studied illuminate the gendering of “seriousness” in the study of culture and the sustained relevance of the relationship between the personal and the political.
Language(s) of Instruction
English
Host Institution Course Number
6ABLCF03
Host Institution Course Title
MAKING THE PERSONAL POLITICAL: WOMEN'S SELF-PORTRAITS FROM ANALOGUE TO DIGITAL
Host Institution Campus
King's College London
Host Institution Faculty
Host Institution Degree
Host Institution Department
Liberal Arts

COURSE DETAIL

THE MAKING OF SIXTEENTH CENTURY IDENTITIES
Country
Ireland
Host Institution
Trinity College Dublin
Program(s)
Trinity College Dublin
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
English
UCEAP Course Number
108
UCEAP Course Suffix
UCEAP Official Title
THE MAKING OF SIXTEENTH CENTURY IDENTITIES
UCEAP Transcript Title
16C IDENTITIES
UCEAP Quarter Units
4.00
UCEAP Semester Units
2.70
Course Description
This course examines the creation of early modern texts c.1490-1603, focusing on the means by which texts in different genres communicate with the reader. It also seeks to create context through interdisciplinary material, especially in terms of science and philosophy. The course demonstrates the generic breadth of writing in this period, and the way in which the investigation and articulation of individual identity is informed by society, literature, and the sciences. What makes us what we are? What informs the ways in which we express ourselves?
Language(s) of Instruction
English
Host Institution Course Number
EN2049
Host Institution Course Title
THE MAKING OF SIXTEENTH CENTURY IDENTITIES
Host Institution Campus
Trinity College Dublin
Host Institution Faculty
Host Institution Degree
Host Institution Department
English

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DYSTOPIA: DARK POLITICAL VISIONS IN THE ARTS, THE ART OF DOOMSDAY PROPHECY
Country
France
Host Institution
Institut d'Etudes Politiques (Sciences Po)
Program(s)
Sciences Po Paris
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Political Science Film & Media Studies English
UCEAP Course Number
124
UCEAP Course Suffix
UCEAP Official Title
DYSTOPIA: DARK POLITICAL VISIONS IN THE ARTS, THE ART OF DOOMSDAY PROPHECY
UCEAP Transcript Title
DYSTOPIA VISIONS
UCEAP Quarter Units
4.50
UCEAP Semester Units
3.00
Course Description
This multidisciplinary class deals with dystopian visions in literature, painting, film, television and political discourse both past and present. The course successively covers the main themes and concerns of these various schools of dystopia—including far-right and far-left politics, populism and demagoguery, fear of new technologies, fear of government censorship, dark anti-feminist visions of the future, fear of the growing need for conformity and political correctness, fear of growing crime and violence, etc. This class seeks to contradict the vision that dystopian art is strictly a Western concept by including key examples from Asia, Africa, and Eastern Europe. In addition, student projects further expand the scope of the class into other cultures. For in-class presentations, four students are given a general theme related to dystopia and asked to present four works on that theme from various cultures and countries of origin (a work of literature, a painting, a film or television series and a current political debate), carefully drawing a connection between them. Required reading includes WE by Eugene Zamyatin, ANTHEM by Ayn Rand, BRAVE NEW WORLD by Aldous Huxley, PLAYER PIANO by Kurt Vonnegut Jr., THE CHILDREN OF MEN by P.D. James, THE ROAD by Cormac McCarthy, and THE HANDMAID'S TALE by Margaret Atwood.
Language(s) of Instruction
English
Host Institution Course Number
DHUM 1380A
Host Institution Course Title
DYSTOPIA: DARK POLITICAL VISIONS IN THE ARTS, THE ART OF DOOMSDAY PROPHECY
Host Institution Campus
English Elective
Host Institution Faculty
Host Institution Degree
Host Institution Department
Humanities

COURSE DETAIL

18TH CENTURY TRAVEL WRITING
Country
United Kingdom - England
Host Institution
King's College London
Program(s)
King's College London
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
English
UCEAP Course Number
103
UCEAP Course Suffix
UCEAP Official Title
18TH CENTURY TRAVEL WRITING
UCEAP Transcript Title
18C TRAVEL WRITING
UCEAP Quarter Units
6.00
UCEAP Semester Units
4.00
Course Description
This course explores 18th century travel literature and the ways nation, identity, and cultural difference were established, tested, and changed. This course looks at how 18th-century travelers wrote about their experiences, asked questions, and used their imaginations. The selection of authors includes travelers to Europe, around Britain, to the South Seas, Scandinavia, and the previously unexplored regions of the air. It explores a wide range of topics such as fantasy, satire, sensibility, nature, religion and progress, the body, gender, class, ethnicity, race, and cultural difference.
Language(s) of Instruction
English
Host Institution Course Number
5AAEB032
Host Institution Course Title
18TH CENTURY TRAVEL WRITING
Host Institution Campus
King's College London
Host Institution Faculty
Host Institution Degree
Host Institution Department
English

COURSE DETAIL

FAIRY TALES AND THEIR RETELLINGS
Country
United Kingdom - England
Host Institution
University College London
Program(s)
Summer at University College London
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
English Comparative Literature
UCEAP Course Number
105
UCEAP Course Suffix
S
UCEAP Official Title
FAIRY TALES AND THEIR RETELLINGS
UCEAP Transcript Title
FAIRY TALES RETOLD
UCEAP Quarter Units
6.00
UCEAP Semester Units
4.00
Course Description

This course gives an introduction to different forms of storytelling, exploring the origins and evolution of fairy tales with a focus on contemporary retellings. A variety of fairy tales are examined, ranging from ancient myths and medieval storytelling tradition to Disney’s adaptations and TV series such as ONCE UPON A TIME and GRIMM. The course introduces students to different literary genres, such as children’s literature (by looking into how children’s novels such as ALICE IN WONDERLAND and THE ADVENTURES OF PINOCCHIO have been retold) and graphic novel studies. Students learn different approaches of literary analysis, such as comparative criticism and psychoanalysis. The course includes excursions to relevant exhibitions and interactive workshops on storytelling.

Language(s) of Instruction
English
Host Institution Course Number
ISSU0058
Host Institution Course Title
FAIRY TALES AND THEIR RETELLINGS
Host Institution Campus
Host Institution Faculty
School of European Languages, Culture and Society
Host Institution Degree
Host Institution Department

COURSE DETAIL

LITERATURE OF THE FIN DE SIECLE
Country
United Kingdom - England
Host Institution
University of London, Royal Holloway
Program(s)
University of London, Royal Holloway
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
English
UCEAP Course Number
144
UCEAP Course Suffix
N
UCEAP Official Title
LITERATURE OF THE FIN DE SIECLE
UCEAP Transcript Title
LIT / FIN DE SIECLE
UCEAP Quarter Units
6.00
UCEAP Semester Units
4.00
Course Description
This course examines the "dark" side of late Victorian and Edwardian literature. It provides an appropriate cultural history for the literature of the fin de siècle, exploring a wide range of topics: fears of over-civilization and diagnoses of neurasthenia in the upper classes, a psychology that divides the mind into upper and lower (primitive) layers, a psychopathology describing deviant sexualities and states of hysteria, the emergence of "the new woman," occultism and spiritualism, drug abuse, fears of contagion and disease, and ideas of apocalypse at the turn of the century. The course moves from cultural symptoms diagnosed by theorists of decline to the solution often proposed by writers concerned with Empire (and, in America, with the Frontier): a masculine regeneration sustained by travel, adventure, and heroic struggle. Debates about "new" and "fallen" women are considered within the context of late Victorian sexual politics. Lectures and seminars also address the interests of the Rhymers' Club, the poetic coevals of the decadent novelists, preoccupied with the "literature of failure."
Language(s) of Instruction
English
Host Institution Course Number
EN2309
Host Institution Course Title
LITERATURE OF THE FIN DE SIECLE
Host Institution Campus
Royal Holloway, University of London
Host Institution Faculty
Host Institution Degree
Host Institution Department
English

COURSE DETAIL

ADVANCED ENGLISH WRITING
Country
Korea, South
Host Institution
Yonsei University
Program(s)
Yonsei University
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
English
UCEAP Course Number
130
UCEAP Course Suffix
A
UCEAP Official Title
ADVANCED ENGLISH WRITING
UCEAP Transcript Title
ADV ENGLISH WRITING
UCEAP Quarter Units
4.50
UCEAP Semester Units
3.00
Course Description

This course examines how to write for an authentic audience, and first person narratives that move people`s minds and hearts. The course begins with literacy narratives, learning how they work and how writing our own can expose our own assumptions and tendencies about writing in English. Then, the course covers the genre of the Personal Statement or Statement of Purpose, not as a "template" but as a means to get to know ourselves deeply in order to communicate our best selves persuasively. It covers how to read like a writer and apply that learning to our own writing. By the end of the course, students will have written, through multiple drafts, two first person essays: a literacy narrative and a statement of purpose, following the guidelines of the graduate program of their choice. This is a writing intensive course.

Prerequisite: Writing 1 or Writing 2 or ideally, BOTH. It is assumed that you have already taken a writing class at the university level.

Language(s) of Instruction
English
Host Institution Course Number
ELL3913
Host Institution Course Title
ADVANCED ENGLISH WRITING
Host Institution Campus
Host Institution Faculty
Host Institution Degree
Host Institution Department
English Language & Literature

COURSE DETAIL

THE NOVELS OF JANE AUSTEN IN CONTEXT
Country
United Kingdom - Scotland
Host Institution
University of St Andrews
Program(s)
University of St Andrews
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
English
UCEAP Course Number
105
UCEAP Course Suffix
UCEAP Official Title
THE NOVELS OF JANE AUSTEN IN CONTEXT
UCEAP Transcript Title
NOVELS JANE AUSTEN
UCEAP Quarter Units
12.00
UCEAP Semester Units
8.00
Course Description
This course examines the six major novels of Jane Austen in the context of novels by three of her contemporaries, Mary Wollstonecraft, Maria Edgeworth, and Ann Radcliffe. Students gain an understanding of Austen's work in the light of Romantic period aesthetics and politics, and explore Austen's affinities with and departures from the novelistic conventions of the late eighteenth and early nineteenth centuries. The course also considers critical and theoretical approaches to Austen's writing and selected contemporary translations of Austen's work through recent screen adaptations of her novels.
Language(s) of Instruction
English
Host Institution Course Number
EN4361
Host Institution Course Title
THE NOVELS OF JANE AUSTEN IN CONTEXT
Host Institution Campus
St Andrews
Host Institution Faculty
Host Institution Degree
Host Institution Department
English

COURSE DETAIL

CONTESTING THE PAST
Country
Netherlands
Host Institution
Utrecht University
Program(s)
Utrecht University
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
English
UCEAP Course Number
102
UCEAP Course Suffix
UCEAP Official Title
CONTESTING THE PAST
UCEAP Transcript Title
CONTESTING THE PAST
UCEAP Quarter Units
6.00
UCEAP Semester Units
4.00
Course Description
This course examines the ways in which literature contributes to public debate about the meaning of the past. In particular, it examines the role played by literature and film in dealing with divisive and painful memories. Which cultural memories dominate images of the past, and which events are suppressed? How does literature interact with other media in bringing marginalized stories to light? And in re-imagining the boundaries of nations? The course addresses these questions through the comparative study of novels and movies dealing with civil war (Spain, Northern Ireland) and with the legacy of colonialism (France/Algeria, Netherlands-Indonesia).
Language(s) of Instruction
English
Host Institution Course Number
LI3V17202
Host Institution Course Title
CONTESTING THE PAST
Host Institution Campus
Humanities
Host Institution Faculty
Host Institution Degree
Host Institution Department
Languages, Literature and Communication
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