Discipline ID
ce129ec3-8092-43c4-b965-f57dc72959a1

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HISTORY OF JAPANESE ANIME
Country
Japan
Host Institution
Waseda University
Program(s)
Waseda University
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Film & Media Studies Asian Studies
UCEAP Course Number
123
UCEAP Course Suffix
UCEAP Official Title
HISTORY OF JAPANESE ANIME
UCEAP Transcript Title
ANIME: ART&INDUSTRY
UCEAP Quarter Units
6.00
UCEAP Semester Units
4.00
Course Description

This course examines the history of Japanese film and television animation, or what the English-speaking world refers to as “anime.” It proceeds chronologically through Japanese animation history to see how the industry, culture, and various styles of Japanese animation developed and crystallized, particularly in the postwar era. Students view and discuss a range of animated works from a variety of angles and contexts germane to the particular work at hand. The course topics examine anime as 1) expressive of particular artistic merit, techniques, and themes relating to the components of the animated medium, and 2) relating to the business, management, and promotion of animation in the Japanese contents industries. Style and production are not separate categories within animation development, but mutually reinforce one another. 

Language(s) of Instruction
English
Host Institution Course Number
ARTF30ZL
Host Institution Course Title
ANIME: ART AND INDUSTRY
Host Institution Campus
SILS
Host Institution Faculty
Host Institution Degree
Host Institution Department
SILS - Art Studies
Course Last Reviewed
2023-2024

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INTERNSHIP AND WORKFORCE COURSE
Country
United Kingdom - England
Host Institution
UC Center, London
Program(s)
Business and Entrepreneurship in London
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Sociology Psychology Political Science Legal Studies Film & Media Studies English Education Economics Communication Business Administration
UCEAP Course Number
187
UCEAP Course Suffix
UCEAP Official Title
INTERNSHIP AND WORKFORCE COURSE
UCEAP Transcript Title
INTERNSHIP&COURSE
UCEAP Quarter Units
5.00
UCEAP Semester Units
3.30
Course Description

The Internship Workforce course provides students with an overview of working in the United Kingdom. The course looks at the changing organizational structures of work in Britain. It examines the social and economic changes that affect the workplace in the UK. Topics covered include: sociology of work, trade unions, 0ppression at work, generational changes at work, and the future of work. An internship while studying in London provides an opportunity to experience a “hands on” working situation and a different perspective on the workplace and working practises, while developing professional skills.
 

Language(s) of Instruction
English
Host Institution Course Number
Host Institution Course Title
INTERNSHIP AND WORKFORCE COURSE
Host Institution Course Details
Host Institution Campus
Host Institution Faculty
Host Institution Degree
Host Institution Department
Accent
Course Last Reviewed

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GENRE FILMMAKING
Country
United Kingdom - England
Host Institution
University of Kent
Program(s)
English Universities,University of Kent
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Film & Media Studies
UCEAP Course Number
120
UCEAP Course Suffix
UCEAP Official Title
GENRE FILMMAKING
UCEAP Transcript Title
GENRE FILMMAKING
UCEAP Quarter Units
12.00
UCEAP Semester Units
8.00
Course Description

The key themes of this course are contextualizing the work of students by gaining a historical overview of genre filmmaking, and guiding students towards making a short film within the parameters of a chosen genre(s). From seminars and a series of instruction sessions in camera, sound and editing, students will develop, shoot and edit in groups an original short fiction film idea in a genre chosen from or combining, but not exclusive to, the following: crime, musical, horror, melodrama, western, science fiction, road movie, romantic comedy. This idea is brought to fruition in a series of seminars designed to develop students' creative potential, alongside screenings of relevant genre films. Secondly, students are asked to write an essay in which they analyze a feature film in a chosen genre and relate it to their own project idea.

Language(s) of Instruction
English
Host Institution Course Number
FILM6310
Host Institution Course Title
GENRE FILMMAKING
Host Institution Course Details
Host Institution Campus
University of Kent
Host Institution Faculty
Host Institution Degree
Host Institution Department
Film Studies
Course Last Reviewed

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HISTORY AND ANALYSIS OF WORLD CINEMA
Country
Mexico
Host Institution
National Autonomous University of Mexico
Program(s)
National Autonomous University of Mexico
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Film & Media Studies
UCEAP Course Number
112
UCEAP Course Suffix
A
UCEAP Official Title
HISTORY AND ANALYSIS OF WORLD CINEMA
UCEAP Transcript Title
HIST/WORLD CINEMA
UCEAP Quarter Units
4.50
UCEAP Semester Units
3.00
Course Description
This course provides a study of the historical development of world cinema, from its origins to the mid-twentieth century. It also discusses the social, economic and cultural context of productions, as well as important figures and developments in the industry.
Language(s) of Instruction
Spanish
Host Institution Course Number
2102
Host Institution Course Title
HISTORIA Y ANÁLISIS DEL CINE MUNDIAL I
Host Institution Course Details
Host Institution Campus
Host Institution Faculty
Host Institution Degree
Host Institution Department
Centro Universitario de Estudios Cinematográficos
Course Last Reviewed

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STUDIES IN FILM AUTHORSHIP
Country
United Kingdom - Scotland
Host Institution
University of Glasgow
Program(s)
Scottish Universities,University of Glasgow
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Film & Media Studies
UCEAP Course Number
116
UCEAP Course Suffix
UCEAP Official Title
STUDIES IN FILM AUTHORSHIP
UCEAP Transcript Title
FILM AUTHORSHIP
UCEAP Quarter Units
8.00
UCEAP Semester Units
5.30
Course Description
The course considers in detail the work of two creative contributors with distinct input in the production of film (most evidently film directors but with the possibility of considering appropriate case studies examining the work of scriptwriters, music composers, actors, set designers, etc.). Notions of creativity and authorship are examined and evaluated at length and with particular attention to the stylistic and thematic trends of the two bodies of films.
Language(s) of Instruction
English
Host Institution Course Number
FTV4012
Host Institution Course Title
STUDIES IN FILM AUTHORSHIP
Host Institution Course Details
Host Institution Campus
University of Glasgow
Host Institution Faculty
Host Institution Degree
Host Institution Department
School of Culture and Creative Arts
Course Last Reviewed

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SOCIAL MEDIA AND SOCIAL NETWORKING
Country
China
Host Institution
Fudan University
Program(s)
Shanghai Summer
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Film & Media Studies Communication
UCEAP Course Number
105
UCEAP Course Suffix
S
UCEAP Official Title
SOCIAL MEDIA AND SOCIAL NETWORKING
UCEAP Transcript Title
SOCIAL MEDIA&NETWRK
UCEAP Quarter Units
4.00
UCEAP Semester Units
2.70
Course Description

This issue-driven course discusses both the theories and practices regarding social networking and converged/integrated communication via social media today. This course also examines interrelationships among media, communication, politics, economy, technology, business, social institutions, and individuals, as well as a variety of issues concerning the role and influence of social media and social networking in the society as a whole.

Language(s) of Instruction
English
Host Institution Course Number
JOUR170005,GEIS10014
Host Institution Course Title
SOCIAL MEDIA AND SOCIAL NETWORKING
Host Institution Campus
International Summer School
Host Institution Faculty
Host Institution Degree
Host Institution Department
Journalism
Course Last Reviewed
2026-2027

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CINEMA AND REPRESENTATION
Country
New Zealand
Host Institution
Victoria University of Wellington
Program(s)
Victoria University of Wellington
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Film & Media Studies
UCEAP Course Number
118
UCEAP Course Suffix
UCEAP Official Title
CINEMA AND REPRESENTATION
UCEAP Transcript Title
CINEMA&REPRESENTATN
UCEAP Quarter Units
8.00
UCEAP Semester Units
5.30
Course Description
This course examines how cinema represents issues such gender, race, ethnicity, sexuality and/or class in a critical manner. Topics vary but may include women’s screen authorship and innovative approaches to gender, race and sexuality in global and world cinema. The course introduces theories of representation and spectatorship central to feminist film studies, surveys their applications to a wide range of films, and examines how queer and postcolonial theorists have adapted them to address provocative depictions of sexuality and social inequality onscreen.
Language(s) of Instruction
English
Host Institution Course Number
FILM302
Host Institution Course Title
CINEMA AND REPRESENTATION
Host Institution Course Details
Host Institution Campus
New Zealand
Host Institution Faculty
Host Institution Degree
Host Institution Department
Film
Course Last Reviewed

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INTERNATIONAL INTERNSHIP
Country
Czech Republic
Host Institution
CEA CAPA, Prague
Program(s)
Summer Internship, Prague
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Urban Studies Statistics Psychology Political Science Mathematics Legal Studies International Studies Health Sciences Film & Media Studies Environmental Studies Engineering Education Economics Computer Science Communication Business Administration Art Studio Architecture
UCEAP Course Number
187
UCEAP Course Suffix
UCEAP Official Title
INTERNATIONAL INTERNSHIP
UCEAP Transcript Title
INTRNTNL INTERNSHIP
UCEAP Quarter Units
9.00
UCEAP Semester Units
6.00
Course Description

The International Internship course develops vital business skills employers are actively seeking in job candidates. This course is comprised of two parts: an internship, and a hybrid academic seminar. Students are placed in an internship within a sector related to their professional ambitions. The hybrid academic seminar, conducted both online and in-person, analyzes and evaluates the workplace culture and the daily working environment students experience. The course is divided into eight career readiness competency modules as set out by the National Association of Colleges and Employers (NACE), which guide the course’s learning objectives. During the academic seminar, students reflect weekly on their internship experience within the context of their host culture by comparing and contrasting their experiences with their global internship placement with that of their home culture. Students reflect on their experiences in their internship, the role they have played in the evolution of their experience in their internship placement, and the experiences of their peers in their internship placements. Students develop a greater awareness of their strengths relative to the career readiness competencies, the subtleties and complexities of integrating into a cross-cultural work environment, and how to build and maintain a career search portfolio.

Language(s) of Instruction
Host Institution Course Number
INT430
Host Institution Course Title
INTERNATIONAL INTERNSHIP
Host Institution Course Details
Host Institution Campus
CEA CAPA
Host Institution Faculty
Host Institution Degree
Host Institution Department
Course Last Reviewed
2022-2023

COURSE DETAIL

TRACING FILM NOIR
Country
Ireland
Host Institution
Trinity College Dublin
Program(s)
Irish Universities,Trinity College Dublin
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Film & Media Studies
UCEAP Course Number
105
UCEAP Course Suffix
UCEAP Official Title
TRACING FILM NOIR
UCEAP Transcript Title
TRACING FILM NOIR
UCEAP Quarter Units
8.00
UCEAP Semester Units
5.30
Course Description
In this course students discuss and examine the emergence of film noir in 1940s American cinema. Students analyze its historical and sociopolitical origins as well as its complex connections to American hard-boiled fiction, the gangster genre, French Poetic Realism, German Expressionism, and existential philosophy. The course addresses the difficulties in categorizing film noir as a genre and asks whether it is better understood as a given historical cycle of films, a formal style, or an aesthetic sensibility. The course traces the influence of noir across genres and maps the many diverse paths it takes in cinema and other media forms from the late 1960s onward. The course examines the narrative patterns distinctive to film noir and identify key characteristics of noir iconography, sound, and performance. Students analyze the problematic philosophical questions that noir poses about gender, sexuality, identity, and the stability of the self. The course also addresses complex problems of temporality that are uniquely to the fore in film noir. Finally, the course attends to the diverse philosophical and critical impulses within noir and examines its significance in relation to psychoanalysis, existentialism, and affect theory.
Language(s) of Instruction
English
Host Institution Course Number
FSS040
Host Institution Course Title
TRACING FILM NOIR
Host Institution Course Details
Host Institution Campus
Trinity College Dublin
Host Institution Faculty
Host Institution Degree
Host Institution Department
Film Studies
Course Last Reviewed

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CONTEMPORARY SPAIN THROUGH THE EYE OF THE MOVIE CAMERA
Country
Spain
Host Institution
Autonomous University of Barcelona
Program(s)
UAB Barcelona Summer School
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Film & Media Studies
UCEAP Course Number
116
UCEAP Course Suffix
UCEAP Official Title
CONTEMPORARY SPAIN THROUGH THE EYE OF THE MOVIE CAMERA
UCEAP Transcript Title
CONTEMP SPAIN/MOVIE
UCEAP Quarter Units
5.00
UCEAP Semester Units
3.30
Course Description

This course offers a study of Spanish history and culture through various films from the post-war era to the present. The selected films and directors are representative of the different periods of recent Spanish history and explore the country's main political, economic, social, and cultural aspects. Topics include: marginal visions of Spain; patriarchy and religion; films of the democratic transition; postmodern Spain; magical realism; Spanish cinema in a global world.

Language(s) of Instruction
Spanish
Host Institution Course Number
Host Institution Course Title
VISIONES DE LA ESPAÑA CONTEMPORÁNEA A TRAVÉS DEL CINE
Host Institution Campus
Bellaterra Campus
Host Institution Faculty
Facultat de Comunicació
Host Institution Degree
Host Institution Department
Course Last Reviewed
2023-2024
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