Film & Media Studies

This course intends to study in an interrelated way the development of Latin American Novel and its adaptations into Latin American and international cinema. It comprises, furthermore, perspectives on the reception of publics, the historical conjunctures, the Nation and State discourses, and critical and democratic counter-discourses.

The course focuses on the new media technologies that have emerged and spread from the time of the Second World War and onwards. A clear emphasis is on digital media and network cultures, as well as the broad influence of television. Highlighted themes are the cultural understanding of technological development, convergence culture and intermedial relations. Different aspects of media and communication as moral panic, paper bureaucracy and tourism are also discussed. Finally, the arguments of some of the most influential late 20th century media theorists such as Raymond Williams and Marshall McLuhan are analyzed.

This course aims for students to achieve a general knowledge of cinema produced in Latin America and Chile, also generate a critical and informed discussion about the main characteristics, milestones and audiovisual innovations of the region's cinema, understanding the socio-historical and geographical contexts in which they produce their works. 

This course examines Chinese film history and criticism via an examination of selected films directed by several of Greater China’s most skilled directors. 

This course discusses the cultural, economic, technical, institutional, and political reasons that allowed the emergence of the New Wave. It studies the emergence of a new generation of filmmakers in France at the turn of the 60s, and the changes it brought about in the production, representations, staging, reception of films and in the future history of cinema. The course contextualizes this turning point in the history of French cinema in order to grasp its importance, as the keystone of a process of legitimization of cinema as an art that began in the beginnings of cinema. It then identifies the issues at stake in the authors' policy born within the "Cahiers du cinéma" during the 50s under the pen of the future directors of the New Wave. The course also distinguishes between the careers of filmmakers from the Paris "right bank" and those from the "left bank."

This course examines the "auteur" or "author" theory by focusing on several directors each time the course is offered. Each term the selection of directors will ensure a mix of past and present, as well as American, European and Asian filmmakers. 

This is a special studies course involving an internship with a corporate, public, governmental, or private organization, arranged with the Study Center Director or Liaison Officer. Specific internships vary each term and are described on a special study project form for each student. A substantial paper or series of reports is required. Units vary depending on the contact hours and method of assessment. The internship may be taken during one or more terms but the units cannot exceed a total of 12.0 for the year.

This course seeks to immerse students in a professional work environment. Students have the opportunity to observe and interact with co-workers, and learn how to recognize and respond to cultural differences. Students compare concepts of teamwork and interpersonal interactions in different cultures as experienced on the job. Seminar work helps students apply academic knowledge in a business setting and identify opportunities to create value within the company. Students research a specific topic related to their work placement and present their findings in a final research report.

This course introduces students to the history of German cinema, with a special focus on the crucial role of Berlin as both production site and film set. Students engage with important milestones in the history of German cinema, many of which are set in Berlin, and learn about their historical, political and aesthetic contexts. Special emphasis is placed on the so-called “Berlin School” of filmmaking, a New Wave emerging in the late 1990s, and continuing to be highly relevant today. CIEE offers the course in German and English, and this version of the course is taught in English.

This service-learning course combines a structured curriculum and extensive partnership with a local community-based organization to offer tangible community service. Here, student community service includes direct
engagement as well as a research-based action plan addressing a specific challenge or goal identified by a community-based organization. Students begin by exploring key community-based organizations: examining their
mission, vision and goals, and the place of the organization in the local community. Each student then works with an assigned partner organization and invests at least 90 hours partnering with the organization, working with them
and investigating ways to solve a challenge or issue the organization has identified. Student service-learning includes exploring the proximate and ultimate drivers of the organization's chosen challenge, and the organization's
infrastructure, resources, limitations and possibilities for reducing barriers to achieving the organization's self-identified goals. In concert, coursework probes the role of community-based organizations in both local and global
contexts, common challenges of community-based organizations in defining and implementing their goals, the role of service-learning in addressing these issues, and effective ways for students to help them achieve their mission,
vision, and goals. Coursework also guides the student's service-learning experience by helping students develop sound international service ethics, provide tools to investigate solutions to common development issues, aid in
data analysis and presentation, and provide best practices to illustrate findings and deliver approved joint recommendations orally and in writing. Throughout, students use service-learning as a means to expand their global awareness and understanding, explore shared aspirations for social justice, and develop skills to work with others to effect positive change.