Film & Media Studies

The course focuses on cultural and artistic interventions in urban spaces and how they actively re-think and reconfigure the city. It investigates how cities can be used as platforms where new notions of citizenship, community, and the public sphere are being performed. Using concepts and theories from performance studies, urban studies, and public sphere theory, the course discusses how power relations are performed in cities daily, and how these can be critically revealed and (temporarily) disturbed through artistic interventions in public space. Next to discussing a variety of specific cases of public space intervention in class, students design and execute a small-scale intervention in public space with a small group., work on a series of assignments, and write a paper on a particular strategy of intervention. 

This course examines the representations, contexts, and politics of gender, sexuality and the media. By interrogating the discourses of gender and sexuality as they are 'mediated' in a variety of forms (including television, film, popular music, social media, advertising), we will examine the construction and disruption of categories of gender and sexual identity, and their intersection with other identity frameworks.

In this course, students view and discuss films that are widely recognized as outstanding or innovative and place them in a European and global context through the framework of manipulating, constructing, and regaining memory. At the same time, the course provides a critical and theoretical introduction to film analysis focusing on narrative form, mise-en-scène, cinematography, editing, and sound while providing students with analytical tools needed to interpret and write about films by identifying the elements of film art and the terminology to discuss film techniques.

The analysis of communication on social media is rapidly becoming a key-area in (socio)linguistics and discourse studies. This course introduces students to the main methods of data collection and analysis of language and discourse for a variety of social media contexts. The course combines familiarization with frameworks of analysis with practical steps on how to approach data. A variety of case-studies of social media afforded practices (e.g. sharing, tagging, Like & Follow) ranging from YouTube to Facebook and Twitter illustrate the role of a range of language and multimodal resources in presenting ourselves and relating with others online. 

Avant-garde cinema also goes by other names: underground cinema, experimental cinema, and artists’ moving image. It describes, in short, films made by artists. This course examines a wide variety of films made by American and European artists from the 1920s to the 2010s. Students engage with a diverse range of avant-garde films by engaging closely with their formal strategies and techniques. Topics include (but are not limited to): abstract film and music, Dada and surrealist film, city films, psychedelic films, the London Filmmakers’ Cooperative, women’s filmmaking, black/queer histories, found footage remakes, and experimental ethnography.

This course offers students an introduction to the relationship between the media, technology platforms, and politics, and an exploration of how that relationship is changing in the digital age. The course introduces students to general theories of media power and effects, outline the economics of media, shows how the media impacts political campaigning, illustrates how the media can affect public policy, and assesses the negative externalities associated with the new political economy of the media (including monopoly, surveillance and information disorder).

The course offers practice in digital film making. It is a practice-based film making course teaching narrative fiction.

This course introduces the craft and theory of documentary storytelling. Students learn how to create powerful 5-minute documentary films that respond creatively to a set brief. Students develop their own narrative and filmmaking approach through practical and theoretical instruction in the tools and techniques of digital film production. These include principles of camera and sound, interviews and narration, multi-media archival research and use, editing with Adobe Premiere and lo-fi graphics and animation. These practical creative skills are developed alongside a critical investigation of documentary technique and the art and ethics of storytelling.

This course explores key concepts and theories in media, communication, and cultural studies to connect them to matters of cultural politics and power. It focuses on language and how it is used to represent the world we live in. The course covers semiotics, discourse, power/knowledge, speech act theory, performativity, and queer theory. Using these theoretical/methodological perspectives, it critically examines media representations of gender, sexuality, race, and nation.  

This course focuses on understanding how photojournalism contributes to the news landscape and how images shape our comprehension of current affairs and history. The course looks at images from contemporary events as well as studying the history of photojournalism and its different fields of engagement in order to give context for its role today. The course also focuses on how Artificial Intelligence is changing the game for the viewers as well as the professional photographers. It discusses questions such as what makes us an ethical photojournalist? Are there ways we should act while covering stories worldwide? Is it always appropriate to make an image or are there times when a conversation needs to happen first? What messages are we trying to convey through our photographs? How do we remain transparent and inclusive as photographers while working in the field?