Film & Media Studies

This class introduces Korean contemporary films and relevant societal discourses. The course covers the role of film/moving images in contemporary society, the rhetoric of visual media in broader context, and lastly, Korean contemporary films in a more concrete realm. By writing critiques on each subject as well as sharing during class, students challenge their personal feelings and thoughts, broaden their knowledge, and deepen their insights on film media.

This course explores the creative and industrial process in developing a script for a television fiction. It discusses the different tools available for a television writer. Topics include: concept development; characters and the characterization process; development of plot lines; dialogues; the pitch.

The course introduces digital media and its theory, history, aesthetics, function, and impact on society. After an introduction to different theoretical perspectives on media (e.g. medium theory and medialization theory), the course turns to topics such as media archaeology and -materiality, digital publics and political communication, media use and participatory culture, misinformation and surveillance. It analyzes social media (e.g. Facebook and Twitter), digital visual media (e.g. photography), and other forms of digital media.

The course focuses on the consequences of media in armed conflicts and the importance of armed conflict for the media, in both historical and contemporary perspectives. The course provides tools to analyze and understand different cultural, social, and technical aspects of the relationship between the media and armed conflicts.

Through lectures and excursions, this course offers a portrait of Denmark through its output of popular entertainment and high art within film, television, and streaming. It places internationally famous auteurs such as Carl Theodor Dreyer, Lars von Trier, Thomas Vinterberg, and Susanne Bier in their cultural context and presents important genres such as youth film, realism, drama, comedy, pornography, and documentary. The course interrogates the role of screen sexuality, gender and racial representations, and cultural identity, and it explores the role of film, television, and streaming policy.