French

This course is a comprehensive introduction to basic vocabulary, grammatical structures and speech patterns of written and oral French for students with no previous knowledge of French. 

This French conversation course is an intermediate-level course. It is based on the CEFR (Common European Framework of Reference for Languages). It prepares students for the B1 level of the DELF: oral comprehension and production.  

The course goals include: ability to listen to real-world conversations or radio broadcasts on general or specialized topics multiple times and answer questions based on what has been understood. Ability to describe one’s personality, present one's strengths and weaknesses, talk about love stories, discuss friendships, talk about health and explain health issues, describe objects, talk about different types of houses, discuss jobs and create ideas for future careers, talk about sports activities, and share ideas for creative leisure activities. 

Prerequisites: French conversation 1 and French conversation 2 

This course is dedicated to eloquence in French as a foreign language. It gives students the keys to speaking with ease, convincing and captivating their audience. The course works on the fluency, clarity, and impact of speeches, using documents from French culture in an intercultural perspective. Listening to and understanding others enables everyone to progress and "carry your voice," as Stéphane de Freitas puts it. The main activities include: vocal and body warm-up: work on breathing, posture, self-confidence, sound-based games; spontaneous expression games: exercises to free speech and enrich vocabulary; active listening and critical thinking skills; practice in prepared speeches: learn to structure, argue, work on tone and emotional management, appropriate oratory techniques and classic French rhetoric. This course offers a comprehensive approach to improving speaking skills and mastering eloquence by blending oratory techniques, practical exercises and creativity. Qualified guest speakers will enhance the practical aspects of the course.

In contemporary literature, the African city appears as a space in permanent flux, capable of taking on very diverse, complex and sometimes difficult to define forms. The course on the relationship between the colonial city and the post-colonial city is part of a general reflection on urban space in Africa. It aims to examine its history, architecture, sociology and representations. In the vast repertoire of representations, there is one constant that is the fruit of the continent's history, the trace of its colonial heritage. Today's African metropolises were often yesterday's small colonial towns. Modelled on European models, colonial cities, far from remaining pure "European enclaves", were transformed from the outset into mixed-race spaces, places of encounter, cross-fertilization and confrontation between Western and indigenous societies and cultures, but also places of cultural syncretism. Based on readings and analyses of texts from Nocky Djedanoum's collection Amours de villes, villes africaines (2001) and Léonora Miano's Contours du jour qui vient (2006), this course explores the ways in which cities are represented in African literature, and the different conceptions of the city as a place of rupture and negotiation between past and present.

This course covers learning the French language at an intermediate level and introduces basic grammar and vocabulary. To enhance the effectiveness of learning French, this course encourages students to develop an interest in the French language and culture. Students learn the structure of French sentences, how to express French tenses, and practice writing skills by focusing on vocabulary and phrases used in daily life. 

Prerequisite: FRENCH(1) 

This course focuses on contemporary theater creation (theater and society, theater and music, theater about theater, etc.). It considers theater and modernity in the 20th and 21st centuries, and how to make theater today. The course starts with Brecht and the French theater of the 20th century, to consider the stage mutations and teeming directions of contemporary creation. It then studies the New Theater (50s and after), theater and society, the question of feminicide, and authentic theater from Othello to the present day.

This course produces a project combining text productions and creative productions in different forms (drawings, photos, paintings, collages, etc.), exploring the theme of the memory of cities. Students first analyze various documents and works on the theme of the “grande mémoire” (the big memory) to inspire personal expression. This creative process allows students to develop their language skills in French by deepening their knowledge of French culture and discovering French history, as well as the culture of others. The course provides an opportunity for cooperative work between students through a group project that is ultimately displayed in an exhibition. 

This course examines the surrealist movement in the 1920s in France. It studies the history of the movement as well as the lives of the main creators, along with surrealist films and art, to give context to the poetry of the movement which focused on the idea of “l’amour fou,” or how love had the ability to change life. The course also examines the role of women in surrealist poetry and whether they were celebrated or objectified. It focuses on the works of André Breton, Robert Desnos, and Paul Éluard.

This is a special studies course involving an internship with a corporate, public, governmental, or private organization, arranged with the Study Center Director or Liaison Officer. Specific internships vary each term and are described on a special study project form for each student. A substantial paper or series of reports is required. Units vary depending on the contact hours and method of assessment. The internship may be taken during one or more terms but the units cannot exceed a total of 12.0 for the year.