French

This course explores the French-language crime novel from an eco-critical approach. It studies the crime and resolution as means that lead to a thematic and stylistic analysis of texts in which societal transformations and ecological and environmental issues become the fulcrums of a critical reflection of modernity, tradition, and community. The course discusses the works of three French-language authors: Désiré Boyla Baenga's LA POLYANDRE (1998), Modibo Sounkalo Keita's L'ARCHER BASSARI (1984), and Moussa Konaté's L'ASSASSIN DU BANCONI (2002) and L'EMPREINTE DU RENARD (2006). From a historical and theoretical reflection on the detective novel in general, it considers, on the one hand, the different ways of representing "ecological crimes" and, on the other hand, the way the detective novel focuses on place and ecology. Finally, the course examines how the Francophone detective novel reports on the environmental crisis.

This course provides an exploration of French language and civilization through several cultural facets: literature, music, news, politics, ecology, media, and cultural traditions. It analyzes various media in France throughout the 20th and 21st centuries and discusses their linguistic, social, and cultural significance.

This course centers around medieval literary texts and traditions: pastoral tales, lyric dialogues, the characters of the berger and her lover, the intervening and often violent interests of the chevalier. Texts are studied as social as well as literary documents; they are treated in the original Old French as well as modern translations. Manuscripts are consulted online as primary source material. Themes covered include the role and the voice of the female characters, their sexuality, as well as the treatment of sexual violence and the implication of this cultural dialogue.

This course analyzes the overlap between literature and painting at the end of the pivotal 19th century. It studies the representations of the artist Emile Zola, the process and the system of creating at the time, the aesthetic and social circumstances at play, and the emergence of modern painting. The course considers, as a means of understanding this phenomena, the exchanges between literature and visual art, notably analyzing ekphrasis and the "tableau en texte."

The extensive independent study field research paper produced by the student is both the centerpiece of the intern's professional engagement and the culmination of the academic achievements of the semester. During the preparatory session, IFE teaches the methodological guidelines and principles to which students are expected to adhere in the development of their written research. Students work individually with a research advisor from their field. The first task is to identify a topic, following guidelines established by IFE for research topic choice. The subject must be tied in a useful and complementary way to the student-intern's responsibilities, as well as to the core concerns of the host organization. The research question should be designed to draw as much as possible on resources available to the intern via the internship (data, documents, interviews, observations, seminars and the like). Students begin to focus on this project after the first 2-3 weeks on the internship. Each internship agreement signed with an organization makes explicit mention of this program requirement, and this is the culminating element of their semester. Once the topic is identified, students meet individually, as regularly as they wish, with their IFE research advisor to generate a research question from the topic, develop an outline, identify sources and research methods, and discuss drafts submitted by the student. The research advisor also helps students prepare for the oral defense of their work which takes place a month before the end of the program and the due date of the paper. The purpose of this exercise is to help students evaluate their progress and diagnose the weak points in their outline and arguments. Rather than an extraneous burden added to the intern's other duties, the field research project grows out of the internship through a useful and rewarding synergy of internship and research. The Field Study and Internship model results in well-trained student-interns fully engaged in mission-driven internships in their field, while exploring a critical problem guided by an experienced research advisor.

This course focuses on an analysis of French literary, philosophical, and critical texts and how they overlap, concerning notably the "woman question" in its 17th century incarnation. The central text is Molière's LES FEMMES SAVANTES (1672) play. Supplemental texts include excerpts from Descartes and Poulain de la Barre. Central philosophical and literary themes include notions of the body (socially, medically) and the spirit as well as the self-determination of women, socially and literarily.

This is an independent research course with research arranged between the student and faculty member. The specific research topics vary each term and are described on a special project form for each student. A substantial paper is required. The number of units varies with the student’s project, contact hours, and method of assessment, as defined on the student’s special study project form.

The city and language course introduces students to French history, culture, and language through team-taught instruction. In the “City as Public Forum” sessions, students are introduced to French history and culture through a series of lectures and site visits. Students discover some of the fascinating ways the core principles of social justice were tested in theory and practice on the streets of Paris in the past and explore how they evolved into the pillars of French society today. The course focuses on just how an ideal society should be forged, where all are free individuals and members of a cohesive community at the same time. Trying to make individuals believe—as religions do—in the primacy of the collective, and in its concomitant goal of protecting human rights, is at the core of social justice in France. From 52 B.C.E to today, France has been an exemplar of how—and how not—to construct a just society. To render these values visible, and therefore legible, to all by adding a physical dimension—whether constructive or destructive—to the usual means of establishing laws or setting policies, is what distinguishes the history of France's capital city of Paris. Those who control Paris—be they monarchs, revolutionaries, or presidents, past and present—believe that erecting all kinds of physical structures will render their values concrete and immutable. The ideal French society did not always necessarily mean a democratic or inclusive one. Since the French Revolution, however, institutionalizing the concept of “liberty, equality, and fraternity” has been France's greatest universal achievement and a source of constant upheaval, eliciting a unique form of secular activism that has led to targeting buildings and monuments that no longer reflect the collective's values. Students discuss how the diverse social actors, who constitute “the French,” continue to thrust their bodies and minds into the physical spaces of the public sphere in the pursuit of social justice. In the “Unlocking French” sessions, students learn targeted language skills through situational communication, so they have the opportunity to use everything they learn as they go about their daily activities.

This course offers a study of basic linguistic elements to address everyday situations with predictable content. It focuses on linguistic skills in oral comprehension and expression, as well as in reading and writing texts with a simple syntactic structure. In this course, students use simple structures to communicate information on the most common everyday topics. At the end of this course, students will have reached level A1.1 or A1.2 of the Common European Framework of Reference for Languages. Note that the ¨II¨ in the Spanish title of the course (Francés II) refers to the semester in which students can take it, not the level. 

Throughout the world, the number of French speakers continues to increase, especially in Africa. In this course, we will try to refine our knowledge and our perception of the distribution of the French language. We will also try to gain an impression of the new varieties of French that have developed recently.