Humboldt University Berlin

In this course, we will address two related questions: 1) Why were queer creators largely responsible for the introduction of modernity in American art and 2) why do we so often find that queer social and political dissent found form in, and as, aesthetic dissent as well? In creating new forms for art that often seem far removed from any traditional definition of sexuality, queer artists pushed the boundaries of normativity, leading to new ways of seeing, hearing, feeling and thinking that often dared to encode queer meanings as part of their formal innovation. Were queer artists driven by a utopian hope that in a more modern world, the egregious homophobia/transphobia of the past would finally be no more? And finally we will ask about the social and political usefulness of forms of queer political dissent if those forms still remain illegible as queer to a wider audience. Throughout, new methods informed by queer, gender, and critical race theory will be utilized.

Barbie has been one of the iconic toys in US-American culture for decades. But what kinds of cultural messages do the dolls actually convey? How do they participate in debates about gender, 'race,' and class? About sexuality? Ability? Religion? Settler Colonialism? Ecological issues? How is this bound up with the process of their production and distribution – and the plastic waste they become when they are discarded? These are some of the questions we will discuss in class.

One of the key features of postmodernist thinking is the assertion of the fuzzy boundaries between reality and fiction: the realization that in everyday lives fictions, projections or hypothesis-building constantly interact with objects and facts of life (you can call this constructivist thinking); the realization that people’s identities are negotiations between social demands and imaginary projects; the realization that people’s senses of reality are heavily influenced by certain hegemonic (dominating) posits in terms of gender, labor (and consumption), media, race and ethnicity. Brian McHale has characterized the resultant tensions, as they are enacted in literature as “worlds in collision.” Cinema, as an art of montage and suturing, seems predetermined to enact these clashes. In this seminar we will explore the fuzzy boundaries discussing postmodern obsessions such as identities, surfaces, worlds, play, parody, high & low, consumer culture, media, gender performances and difference.

Throughout the world, the number of French speakers continues to increase, especially in Africa. In this course, we will try to refine our knowledge and our perception of the distribution of the French language. We will also try to gain an impression of the new varieties of French that have developed recently.

This course explores the profound connection between music and migration in shaping Berlin's diverse cultural scene. Focusing on key historical events, it unveils the complex factors influencing Berlin's music evolution. The city's history of attracting global artists, notably during periods of political upheaval, commenced with forced migrations in the 1930s and 1940s. The post-World War II era and the Berlin Wall's construction in 1961 further shaped the city's cultural dynamics, while the fall of the Berlin Wall in 1989 marked a pivotal moment, drawing a new wave of musicians and contributing to the city's globalized music scene. Electronic music thrived in the 1990s, utilizing abandoned industrial spaces for iconic techno parties. Contemporary migrations significantly enrich Berlin's musical influences, leading to hybrid music forms. World music, fusion, and cross-genre collaborations are prevalent, showcasing Berlin's reputation as a creative haven attracting musicians seeking an open environment, with clubs and venues fostering community and collaboration. The seminar series includes participation in the Fête de la Musique, offering students a real-world glimpse into Berlin's dynamic music scene. This festival becomes a platform for student projects, allowing them to analyze performances, interview musicians, and explore the festival's role in promoting cultural diversity in Berlin's music landscape.

Economic inequalities are prevalent and persistent around the world. In this seminar, we will tackle the question of how economic inequality intersects with the political realm. In the first half of the seminar, students will gain an overview of the national and global structure of inequality along indicators like income and wealth. We will analyze, what perceptions of inequality people have and which beliefs accompany them. Furthermore, we will engage with theories on how one’s economic circumstances might impact political preferences and behavior.  In the second half, we will look at studies connecting people’s economic realities and their policy preferences, policy responsiveness, political participation and voting behavior. We will especially focus on redistributive and economic policy priorities as well as radical voting patterns.

This course aims to introduce students to the sociological study of social inequalities. That is, to gain a broad understanding of the social processes through which some end up having more resources than others and through which some become included and some excluded. In the introductory sessions, we will begin by defining social inequality and its relevant dimensions, learning about its trends in Europe and the world as well as its pernicious effects for society. Students will also learn key sociological concepts such as social class, social mobility, and ethnoracial categorization processes. In the second part of the course students will be introduced to some of sociology’s most studied mechanisms that help explain the perpetuation of inequalities in a wide range of contexts such as cumulative advantage, opportunity hoarding, discrimination, boundary making, and social networks. As a next step we will learn about some of the most relevant engines of inequality such as families and schools, labor markets, tax systems, extreme weather events, and migration systems. We will end the course by learning about how to tackle inequality. We will discuss how acceptance or opposition to it comes about and reflect on sociology’s relevance in addressing societal disparities.

Borders within and surrounding Europe have moved repeatedly throughout history, but rarely so frequently or so violently as during the 20th century. This class examines how processes of bordering and de-bordering since the First World War have shaped European states and peoples. It explores notions of territoriality, the construction and dismantling of borders, migration and forced migration, subversive social practices and ambiguous identities in borderlands. Case studies covered in class and in further readings focus primarily on East-Central Europe, including the former Austro-Hungarian and Russian empires, German-Polish borderlands, divided Cold War Germany, and the European Union.

The primary objective of this course is to introduce students to the main theories and contemporary debates regarding globalization processes. The course is interdisciplinary and consists of sessions hosted by different members of the institute, providing perspectives on the intersection of global, regional, and transregional processes. These processes are set in a historical perspective, and students become familiarized with perspectives from different areas of the world.