Ireland

The course introduces and develops an understanding of American modernism, both in terms of the particularities of American culture in the early 20th century, and in relation to its complex relationship with Europe. Particular attention is paid to concepts of race/ethnicity, gender, politics, and social activism as ways of emphasizing the plurality of American modernism, as well as the diverse aesthetic forms which give it expression. In its geographical reach, the course encompasses writing from the American West, rural Wisconsin, New York (from Harlem to the Jewish American community of the Lower East Side), and expatriate experience in post-war Britain. At the core of the course is an exploration of the complex, shifting and dynamic nature of American Modernism, both in terms of the creative output of its writers, and in relation to the critics and theorists who attempt to define it.

This course is devoted to a close reading of Maurice Merleau-Ponty’s PHENOMENOLOGY OF PERCEPTION. The central concern of the course is to understand Merleau-Ponty’s importance for contemporary philosophy as well as cognitive science.

This course traces both the development of English literature and the development of Medieval English society, through the transition from a shame culture to a guilt culture. Students read a selection of outstanding literary works of the early and late medieval period. Beginning with some Old English literature in translation, students consider the heroic ethos and its consequences for personal relationships and societal structures. The course then looks at a variety of key Middle English texts, including some works by Marie de France, Chaucer, and the Pearl-poet, tracing first the transition to feudalism and later the medieval rise of the middle class.

This course explores the historical and contemporary complexities of Irish culture, place, and landscape through select case-studies, thematic and/or locational, and through a range of theoretical concerns from both archaeology and geography. It engages the key challenge of carefully contextualizing and historicizing understandings of landscape, heritage, and environment, and exploring urgent contemporary questions of landscape/environment sustainability, governmentality, and management. The course provides an introduction to the various ways in which human societies interact(ed) with their environment, and will provides both chronological depth and thematically-specific case-study knowledge of key sites and spaces across the island of Ireland. Particular attention is given to the range of competing discourses on issues of environment, landscape, and development in both rural and urban Ireland and their implications for communities in the present and the future. 

This course explores the ways in which music operates as a means of challenging, disrupting, and resisting the social order. It encourages students to reflect on the relationship between art, power, and resistance by critically engaging with a wide range of "protest" songs. To this end, the course critically analyses specific pieces of music through the application of a wide range of conceptual tools drawn from critical, decolonial, race, and feminist theories. It intends to advance students’ sociological imagination by fostering the awareness of the value of the "aesthetic dimension" as a means of dissensus, with a particular emphasis on the theme of social change.
 

This course explores how memoir has developed as a literary form in Ireland. The claustrophobic relationship between the stories of the nation and the individual has been a commonplace since at least the 1920s, when the Blasket Island autobiographies were at once held up as a model for the new Free State while also recording a way of life that was to quickly vanish. Beginning with an introductory session which establishes how this relationship has developed since then, this course examines the form of the memoir as a way of negotiating the relationship between the individual and society in Ireland, north and south. It asks students to critically examine the forms and themes by which we are called to remember the past century, and to investigate the contexts in which Irish memoir has been written and received.

This course examines the practice of folk medicine in Ireland, in the past and in the present. Irish popular tradition includes a great richness of material on this subject, encompassing a wide range of healing agents and media, from botanical remedies to prescribed rituals and actions, and from specific locations to particular individuals who were credited with special powers. The importance of ritual behavior will be examined, as will the position of the healer in the community. The course looks at what we might learn about the dynamics of popular tradition, and the ways in which popular tradition functions, from an examination of folk healing practices. The remarkable resilience of many such practices is also explored. 

This course concentrates on literary culture and its production in Ireland and Scotland in the transitional period of c.1100-1600. Students review the literary corpus that existed in Ireland before the arrival of the Normans, looking at the structure, genres, and typical content of this literature. The 12th century in Ireland witnessed the changeover from monastic to secular schools, a new professionalization of poetry-making, and the perfecting of syllabic metres which had been in use for some 500 years. Students assess the function of the poet and the nature of his relationship with his patron. Irish-Scottish literary connections at this period are often over-looked and forgotten, but the same standard literary language stretched across the straits of Moyle from north east Ulster to Gaelic-speaking Scotland. 

This course examines Western perspectives on the Middle East and North Africa. What are the origins, presuppositions, and theoretical foundations of these? Having examined Western perspectives, students are given the opportunity to hear the views of undergraduates in universities throughout MENA region. How do Western interventions and perspectives look from their point of view? Students critically examine Western perspectives on MENA and learn to assess the societal impact of Western interventions, beginning in the 18th century up until the present. Students explore the themes of refugee crises; war and genocide; law and human rights; gender; and national, religious, and ethnic identities of the region. 

The course equips students with an understanding of (1) the marketing concept, (2) important strategic marketing decisions for business, (3) emerging trends in marketing, and (4) the relationships and tensions that exist between marketing practice and society. Students are first introduced to important concepts underpinning marketing practice; consumer behavior, segmentation & targeting, branding, marketing communications in a digitalized world, and the marketing mix.