Art History

This course examines Spanish culture and society today through a study of its history and art. Topics include: Paleolithic, Neolithic, and Metal Age; Iberians and Celts; Roman Empire; Visigoths; Islam and Al Andalus; Christian kingdoms; late Middle Ages and Catholic Monarchs; empire of Charles I; Bourbons in Spain; Enlightenment; colonization and independence of American colonies; first and second republics; Franco dictatorship and transition to democracy; Spain and the European Union.

This course provides a study of artistic movements that have taken place in Spain from the 16th century to the present day. It analyzes the stylistic characteristics of the Renaissance, Baroque, Romanticism, Cubism and Surrealism. Particular attention is give to Spanish art within the European context, as well aspects of patronage or the art market. The course includes an examination of fundamental Spanish artists such as El Greco, Velázquez, Goya, Picasso or Dalí, and their works in relation with artists from other European geographical areas.

This interdisciplinary course explores the diversity of the visual and performing arts in Southeast Asia, including ancient temple art, living traditional art (such as textiles, puppets, weapons, painting, theatre, and music), as well as modern and contemporary art. The focus is on understanding the arts as they are experienced in local contexts; and on change, cross-cultural inspirations, and global flows, in the past and today. In tutorials, students learn to play traditional music. On an overseas fieldtrip, students explore the arts in a particular area and interact with artists.

This course explores the architectural and pictorial inheritance of France, including urban and countryside architecture, sculpture, painting, and decorative arts. It focuses on the architecture of Bordeaux and the region of Aquitaine during the 19th century. It presents the remarkable sites of the New Aquitaine region listed as World Heritage by UNESCO by analyzing some works to better understand them. The course discovers the region and its rich heritage through the ages, from prehistory with the parietal caves of the Dordogne to the contemporary era with the city of Fruges by Le Corbusier, passing through the Middle Age and modern times. Various arts are analyzed, including visual art, painting, sculpture, and the art of space which concerns architecture and heritage. Similarly, the course studies several styles, in particular Romanesque art, Gothic art, and classical art to acquire an artistic culture.

As a professional elective course of the Department of Cultural Relics and Museums, this course aims to equip undergraduates with basic knowledge of art history on the one hand, and train students to apply the methods of image science, form and style analysis in art history in actual cases on the other hand.

This course takes as a starting point the expansive understanding of feminism as a value system rather than a style or movement to elucidate and make meaning of contemporary Nordic art within a global context. The course underscores feminism’s historical, theoretical, and activist facets, focusing on a transnational, situated, and intersectional approach to understand feminist practices in and around contemporary Nordic art. Understood in the broadest sense to include other normative-critical approaches such as postcolonialism, in this course feminism is deployed as an emancipatory modality to deconstruct and contextualize the most important issues concerning contemporary art today, including migration, sexuality, race, ecology, and the move towards the digital—and how the Nordic cases interact with, correspond to, and challenge wider global patterns. The course nevertheless provides a solid historical overview of feminism within the realm of art from 1970 onwards and develops an understanding of foundational and more recent feminist theory, as well as the ability to recognize and apply an activist approach to contemporary art. Nordic examples make up the core of the course to provide a nuanced knowledge of the immediate art environment (including visits to local museums, art institutions, and practitioners). With its intersectional and reflexive approach, the course conveys the intergenerational, gender-fluid, heterogeneous, and transnational nature of feminist practices today by contextualizing them within a global framework. to convey the intergenerational, gender-fluid, heterogeneous, and transnational nature of feminist practices today by contextualizing them within a global framework.

The course introduces the use of materials related to artistic expression, color, and perspective to create a 3-dimensional illusion and technology for dating and attribution of objects of art. Scientific principles of various forms of art are explored.

In the form of thematic discussion, this lesson outlines the evolution of Chinese calligraphy, introduces famous calligraphers and masterpieces, and discusses some topics in Chinese calligraphy.This course also requires students to practice calligraphy to enhance their understanding of calligraphy art.

Through the study of this course, students can develop their understanding of calligraphy and explore the law of calligraphy through theoretical study and skill training.In this way, students can learn and appreciate the masterpieces of past dynasties independently, and have the ability to spread the beauty of calligraphy.

Specific requirements: on the basis of mastering the basic knowledge of calligraphy, have the ability to learn and use the history of calligraphy, calligraphy theory and calligraphy aesthetics, as well as the basic quality of scientific methods, seeking ancient theories, and laying a necessary foundation for subsequent calligraphy learning and research.

Japanese art has not been cultivated purely within the country of Japan. As a member of the East Asian cultural sphere, Japan has nurtured art through rich exchanges with China and South Korea from ancient times and the Middle Ages to the early modern period. In modern times, we cannot help but think about the influence of Europe and the United States. What art has Japan selected from the foreign cultures of China, South Korea, and the West, and how has Japan accepted these and transformed them to create its own art? The goal is to understand this while looking at the slides of paintings and designs. Each week the class will write impressions (interpretation, description, evaluation) after viewing artwork.