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Discipline ID
06a6acf3-73c3-4ed3-9f03-6e1dafb7e2cb

COURSE DETAIL

AUSTRALIAN INDIGENOUS ART
Country
Australia
Host Institution
University of Queensland
Program(s)
University of Queensland
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Art History
UCEAP Course Number
103
UCEAP Course Suffix
UCEAP Official Title
AUSTRALIAN INDIGENOUS ART
UCEAP Transcript Title
AUST INDIGENOUS ART
UCEAP Quarter Units
6.00
UCEAP Semester Units
4.00
Course Description

In this course, students examine the art and visual culture of Australia's Indigenous people. Students are introduced to fundamental cultural concepts that are significant to Aboriginal people in terms of their visual culture and art-making. Ancient rock art, bark painting, post-contact art, and urban-based contemporary art are examined and discussed.

Language(s) of Instruction
English
Host Institution Course Number
ARTT2103
Host Institution Course Title
AUSTRALIAN INDIGENOUS ART
Host Institution Campus
Queensland
Host Institution Faculty
Host Institution Degree
Host Institution Department
Communication and Arts

COURSE DETAIL

MODERN ART AND ARCHITECTURE
Country
France
Host Institution
University of Lyon 2
Program(s)
University of Lyon
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Art History
UCEAP Course Number
122
UCEAP Course Suffix
UCEAP Official Title
MODERN ART AND ARCHITECTURE
UCEAP Transcript Title
MODERN ART & ARCH
UCEAP Quarter Units
4.50
UCEAP Semester Units
3.00
Course Description
This course focuses on art and architecture during modern period in Italy, France, Greece, Spain and other European countries It compares flamboyant Gothic with Modern Gothic, and identifies Classicalism and Mannerism. The course studies the invention of Rococo style and Renaissance in Italy, France, and the Flanders. It also examines the stylistic differences and similarities between regions such as France and Italy. The course covers the historical context of the Renaissance and the influences from artists of the previous art period. It also focuses on the works of Leonardo da Vinci, Raphael, Michelangelo, Titian, and Tintoretto. Students acquire vocabularies and languages of architecture in this class.
Language(s) of Instruction
French
Host Institution Course Number
3BCAB015
Host Institution Course Title
ART ET ARCHITECTURE MODERNES CM
Host Institution Campus
LYON 2
Host Institution Faculty
Host Institution Degree
Host Institution Department
ART HISTORY

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MUSEUM INFORMATICS
Country
China
Host Institution
Fudan University
Program(s)
Fudan University
UCEAP Course Level
Lower Division
UCEAP Subject Area(s)
Art History
UCEAP Course Number
54
UCEAP Course Suffix
UCEAP Official Title
MUSEUM INFORMATICS
UCEAP Transcript Title
MUSEUM INFORMATICS
UCEAP Quarter Units
3.00
UCEAP Semester Units
2.00
Course Description

This course examines theories of museum informatization, including introduction; digital management of museum collections; digital museums (including digital tour/on-site multimedia display content and online exhibition digital methods); theories and technologies of the museum collection information management system including the function setting principle and operation method; text and multimedia information collection.

 

Language(s) of Instruction
Chinese
Host Institution Course Number
MUSE130054
Host Institution Course Title
MUSEUM INFORMATICS
Host Institution Campus
Host Institution Faculty
Yiqing YAO
Host Institution Degree
Host Institution Department
Cultural Heritage and Museology

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GLOBAL VISIONS IN ART AND ART HISTORY
Country
Netherlands
Host Institution
Utrecht University
Program(s)
Utrecht University
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Art History
UCEAP Course Number
106
UCEAP Course Suffix
UCEAP Official Title
GLOBAL VISIONS IN ART AND ART HISTORY
UCEAP Transcript Title
GLOBAL VISION ART
UCEAP Quarter Units
6.00
UCEAP Semester Units
4.00
Course Description
This course explores interaction and exchange in art from different regions in a historical perspective, taking into consideration commonalities as well as the aesthetics of difference. The course starts with the sixteenth century when new maritime routes set in motion an era of “first globalization.” Art works moved across cultural zones, resulting in innovative materials, styles, and themes. These objects became agents of cultural interaction, shaping encounters and related cultures of knowledge and consumption. Moving on to the late modern era, the course critically evaluates the rise of the discipline of art history as rooted in European texts and institutions, which coincided with modern colonialism and cultural imperialism since the French Revolution. Focusing on the artistic trend of Orientalism and its modern after lives, the course considers how this resulted in national schools of art history, as well as in transnational competition and interaction. The course encourages students to consider the following: can a single discipline to study objects from the entire world without falling into a Eurocentric fallacy; how can a discipline that has often been either profoundly historical or profoundly formalist in its approach, cope with a fuller geographical remit; how can art history contribute productively to the search for terms and categories that bridge different cultures. The course explores key texts and art works in relation to the rich collections and galleries of the Netherlands and beyond that testify to a history of intensive global exchange.
Language(s) of Instruction
English
Host Institution Course Number
KU2V18001
Host Institution Course Title
GLOBAL VISIONS IN ART AND ART HISTORY
Host Institution Campus
Humanities
Host Institution Faculty
Host Institution Degree
Host Institution Department
History and Art History

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PLANETARY ART: NATURE, ECOLOGY, ENVIRONMENT
Country
Australia
Host Institution
University of Sydney
Program(s)
University of Sydney
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Art History
UCEAP Course Number
127
UCEAP Course Suffix
UCEAP Official Title
PLANETARY ART: NATURE, ECOLOGY, ENVIRONMENT
UCEAP Transcript Title
PLANETARY ART
UCEAP Quarter Units
6.00
UCEAP Semester Units
4.00
Course Description
This course studies contemporary and historical artists in relation to today's environmental crisis. The course examines how art objects and art making relate to issues pertaining to nature, ecology, and the environment. Through visual and textual analysis, the course provides interdisciplinary perspectives on art's place within contemporary post humanist theories, the significance of ecological thinking to contemporary aesthetics, art's historical response to the impact of science and technology, and art's recognition of the importance of Indigenous knowledge to planetary ethics.
Language(s) of Instruction
English
Host Institution Course Number
ARHT2676
Host Institution Course Title
PLANETARY ART: NATURE, ECOLOGY, ENVIRONMENT
Host Institution Campus
sydney
Host Institution Faculty
Host Institution Degree
Host Institution Department
Art History

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ART AND DIGITAL CULTURE
Country
Spain
Host Institution
Carlos III University of Madrid
Program(s)
Carlos III University of Madrid
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Art History
UCEAP Course Number
105
UCEAP Course Suffix
UCEAP Official Title
ART AND DIGITAL CULTURE
UCEAP Transcript Title
ART&DIGITAL CULTURE
UCEAP Quarter Units
2.50
UCEAP Semester Units
1.70
Course Description
This course analyzes the role of art in the transition of our culture into the digital sphere. It looks at the dematerialization of art and the growing trend towards art created in the internet. The class uses case studies and in-person visits to witness digital creation and later apply its cultural significance. It also aims to analyze the cultural accessibility of digital art. It has a specific focus on Spanish case studies and the cultural environment of Spain with regards to digitalized culture.
Language(s) of Instruction
Spanish
Host Institution Course Number
12703
Host Institution Course Title
ARTE Y CULTURA DIGITAL
Host Institution Campus
Facultad de Ciencias Sociales y Jurídicas. (Getafe)
Host Institution Faculty
Host Institution Degree
Host Institution Department
Humanidades: Historia, Geografía y Arte

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HISTORY OF ART 1B
Country
United Kingdom - Scotland
Host Institution
University of Edinburgh
Program(s)
University of Edinburgh
UCEAP Course Level
Lower Division
UCEAP Subject Area(s)
Art History
UCEAP Course Number
20
UCEAP Course Suffix
B
UCEAP Official Title
HISTORY OF ART 1B
UCEAP Transcript Title
HISTORY OF ART 1B
UCEAP Quarter Units
8.00
UCEAP Semester Units
5.30
Course Description
History of Art 1B is not a chronological survey course and does not pretend to provide comprehensive coverage of this vast and complex subject. Instead the work of prominent artists, important types, key periods and diverse geographies of art are selected to provide representative examples for study. All our teaching considers the visual arts as a reflection of the societies in which they were produced. This course introduces the important issues raised by the study of art history and of the methods used to deal with them. Students also learn the basic concepts and vocabulary of the discipline. In the lecture units and seminar courses, students learn the methods of art history through the study of the work of selected artists, types of objects, and periods of art. The course emphasizes the critical analysis and interpretation of visual and historical materials. Under the collective title Church and Courts (1300-1700), the second term addresses developments in art in Europe from the later Middle Ages to the end of the 17th century. Students examine the works of artists of this period such as Jan van Eyck, Durer, Michelangelo, Leonardo da Vinci, Caravaggio, and Rembrandt within their social milieu. The course considers art and sexuality, patronage, power relationships, religious crisis, the role of women, and many other major social issues. Students in this course undertake only the spring term portion of the yearlong course History of Art.
Language(s) of Instruction
English
Host Institution Course Number
HIAR08011
Host Institution Course Title
HISTORY OF ART 1B
Host Institution Campus
Edinburgh
Host Institution Faculty
Host Institution Degree
Host Institution Department
History of Art

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CALLIGRAPHY: THEORY, DESIGN AND PRACTICE
Country
Spain
Host Institution
Carlos III University of Madrid
Program(s)
Carlos III University of Madrid
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Art History
UCEAP Course Number
106
UCEAP Course Suffix
UCEAP Official Title
CALLIGRAPHY: THEORY, DESIGN AND PRACTICE
UCEAP Transcript Title
CALLIGRAPHY
UCEAP Quarter Units
2.50
UCEAP Semester Units
1.70
Course Description
This course provides a study of writing tools, equipment, and types of letters, as well as their different aesthetic, graphic, and communicative responses. It examines the differences and similarities between calligraphy, typography, and lettering, trends and traditions, and the study of paleography (ancient and historical handwriting). The course also explores the various writing tools, surfaces, inks, and pigments used. Other topics include the evolution of writing (Roman vs. Rustic capitals; uncial script; Carolingian minuscule; Gothic script; Humanist minuscule; Copperplate and American variants), Eastern calligraphy traditions, and the use of calligraphy in modern day.
Language(s) of Instruction
Spanish
Host Institution Course Number
12708
Host Institution Course Title
CALIGRAFÍA: TEORÍA, DISEÑO Y PRÁCTICA
Host Institution Campus
Facultad de Ciencias Sociales y Jurídicas. (Getafe)
Host Institution Faculty
Host Institution Degree
Host Institution Department
Biblioteconomía y Documentación

COURSE DETAIL

AURELIA: ART AND LITERATURE THROUGH THE EYES AND THE MOUTH OF THE FAIRY TALE
Country
Denmark
Host Institution
University of Copenhagen
Program(s)
University of Copenhagen
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Art History
UCEAP Course Number
108
UCEAP Course Suffix
UCEAP Official Title
AURELIA: ART AND LITERATURE THROUGH THE EYES AND THE MOUTH OF THE FAIRY TALE
UCEAP Transcript Title
ART & FAIRY TALE
UCEAP Quarter Units
12.00
UCEAP Semester Units
8.00
Course Description
This course acquaints students with how works of modern art (painting, sculpture, film, and especially photography) can be interpreted and analyzed in relation to the fairy tale. The connections between the utopian novel and the fairy tale are understood. Careful attention is paid to issues of class, hope, race, and beauty. This course mainly focuses on fairy tales that have a dark and violent side. Topics covered include: the magical materiality of glass; the discovery of Lascaux as a fairy-tale dream of finding our own subterranean world of enchantment; the role of the fairy tale in Nabokov's LOLITA; Langston Hughes's brown fairies for America's children of color; the photograph by the Japanese artist Miwa Yanagi of the grandmother and Little Red Riding Hood as an image of the horror of Hiroshima; Jean-Pierre Gorin's documentary film, POTO AND CABENGO (1980), about German-American twin girls and their invented language, with sixteen ways to pronounce potato (their beloved food).
Language(s) of Instruction
English
Host Institution Course Number
HKUK03642U
Host Institution Course Title
ART HISTORY: AURELIA: ART AND LITERATURE THROUGH THE EYES AND THE MOUTH OF THE FAIRY TALE
Host Institution Campus
Humanities
Host Institution Faculty
Host Institution Degree
Host Institution Department
Arts and Cultural Studies

COURSE DETAIL

ROMAN ARCHEOLOGY AND ART HISTORY
Country
Italy
Host Institution
University of Bologna
Program(s)
University of Bologna
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Art History Archaeology
UCEAP Course Number
127
UCEAP Course Suffix
UCEAP Official Title
ROMAN ARCHEOLOGY AND ART HISTORY
UCEAP Transcript Title
ROMAN ARCOL & ARTHS
UCEAP Quarter Units
6.00
UCEAP Semester Units
4.00
Course Description

The course focuses on the fundamental elements of Roman artistic, architectural, and urban civilization and their role in the processes of cultural integration. The course highlights historical and cultural issues and places artistic productions in their social, political, and economic contexts in order to arrive at sound historical reconstructions. Students are encouraged to explore independently scientific instruments and bibliographical references that are of interest to them. The course focuses on typologies, functions, and significance of Roman monuments and artistic expressions. Attention is placed on chronological questions and the history of research methodologies. The course includes an optional seminar for art history majors. Specific topics include: A Plural Art–artistic Roman cultures from the Archaic period to the Late Antiquity; Rome in the Archaic period–places of power, cultural spaces, houses; the urbanistic and monumental evolution of the Urbe in the Republican and Imperial age; places of power, temples, and sanctuaries, spaces of entertainment, houses, tombs; originality of Roman art, relationships between Greek art and Classicisms; Romanization–diffusion and assimilation of romanitas, town urbanism and its public and private monuments; art of construction–techniques and materials; artistic “languages” Arte colta and arte plebea; sculpture, painting, and mosaics, Achillean statues, historical rendering, portraits. Assessment is based on an oral exam aimed at verifying knowledge of the materials presented in class as well as the assigned readings. Exchange students are given the option of a written exam in lieu of the oral exam, if they prefer. The written exam consists of four essay questions on the general themes of the course and the identification and analysis of specific works of art.

Language(s) of Instruction
Italian
Host Institution Course Number
74895
Host Institution Course Title
ARCHEOLOGIA E STORIA DELL'ARTE ROMANA
Host Institution Campus
LETTERE E BENI CULTURALI
Host Institution Faculty
Host Institution Degree
Host Institution Department
Lettere
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