Art History

This course presents the aesthetic changes and new artistic currents experienced in French painting in the 19th century. It provides an introduction to and analysis of neo-classicism with the presentation of two artists: David and Ingres; romanticism seen through the works of Géricault and Delacroix; realism in France through the study of works by Courbet; the impressionists presented first by the influence of Manet, then by the analysis of works by Monet and Renoir; and post-impressionism through the presentation of four precursor painters of the 20th century painting movements: Cézanne, Seurat, Van Gogh, and Gauguin.

This course examines the history of Western art and architecture through such defining issues as the respective roles of tradition and innovation in the production and appreciation of art; the relation of art to its broader intellectual and historical contexts; and the changing concepts of the monument, the artist, meaning, style, and “art” itself. Representative examples are selected from different periods, ranging from Antiquity to Modern. 

With an emphasis on Italy, this course focuses on the looting, destruction, and reselling of antiquities, from classical antiquity to today. Together students consider issues such as what constitutes an art/cultural heritage crime, how ideas of value (both real and symbolic) have emerged historically and how have they changed over time, what constitutes "ownership" in the eyes of different entities, and how this has changed over the past fifty years, resulting in the current difficult and controversial issue of the repatriation of cultural artifacts which have crossed international borders. Themes considered include the history of collecting, illegal excavation and the illicit trade in antiquities, the role of auction houses, the Church, museums and galleries, ownership and patrimony issues, international laws and agreements, recovery and repatriation, and ongoing problems with the protection and conservation of antiquities. The course concludes with a review of cultural heritage laws and the current international situation, as well as a discussion identifying challenges and providing suggestions for regulating the market of antiquities in the future. The course includes visits to relevant sites and museums in and around Rome and includes the close investigation of actual case studies throughout.

This course offers a survey of art and architecture up to the end of 17th century, with a focus primarily, although not exclusively, on the Western world. It provides an introduction to the critical analysis of artworks, including painting, mosaic, fine metalwork, manuscripts, sculpture, buildings and the built environment. The course considers such matters as the iconography of major religious and mythological subjects, issues of style and the functions of works of art and architecture. Art works are considered in the context of influential factors such as historical period, geographic location, inter-cultural influences and the prevailing social, political, and religious environments.

This course provides a firm foundational understanding of the development and history of photography;  themes and genres in modern and contemporary photography, and some first-hand experience of the challenges involved in producing a photographic image. The goal of the course is to develop a deeper understanding of the photographic medium—its relationship to technological development, and its aesthetic, cultural, and political relevance.