English

This course introduces students to a wide range of texts (literary, visual, and academic), concepts, ideas, theories, and practices, both historical and contemporary, and the skills they need to analyze them. The course is divided into two 5-week blocks, devoted respectively to reading literary texts, visual cultures, cultural theory and politics, and linguistics. 

This course considers a range of recent novels produced by Irish writers considering the relationship between writers and the state, north and south. Students explore what kind of difference literature can make to a society’s growing consciousness of itself. Issues to be addressed include modernity in an Irish context, sexuality, violence, the fantastic, religion and its aftermath,  the Peace Process in Northern Ireland, and the connections between literary production and the imagined "nation."  The course treats Edna O’Brien’s debut novel THE COUNTRY GIRLS (1960), as its founding text. O’Brien has said that the Archbishop of Dublin and Charles J Haughey (who was at that time Minister for Justice) characterized the book as “filth” that “should not be allowed in any decent home”. Her first three novels were subject to multiple public burnings. The course also considers works by writers such as Brian Moore, John Banville, Anne Enright, Kevin Barry, Niamh Campbell, Colm Tóibín, Eoin McNamee, Anna Burns, and Sally Rooney. 

Students explore major formal, historical, and theoretical questions posed by the novel, including key ideas in narrative theory, the relationship between the novel and modernity and why the novel is often viewed as a central form for representing social life.

The course focuses on North American literature (USA and Canada) written in English, with a special emphasis on identity issues and the making of "national" literatures. Classic and funding texts are compared to outline the symbolic and mythological patterns that have shaped the US and the Canadian realities, from the European colonization till the end of the 19th century. In this class, literature is investigated through a constant dialogue with other arts, including media, cinema, photography, and the visual arts. The concepts of identity, memory, community, inner/outer landscape constitute the thematic paradigms to approach the evolving mentalities underpinning the evolution of complex identity processes in the so-called New World. This course features a series of guest scholars to encourage the dialogue between literature and civic society so to widen our knowledge of learning and training opportunities available nationally or internationally. The list of featured guests will be available when classes start. Students learn the literary history of the period at stake; they acquire useful literary tools to analyze fictional productions and question them in relation to the complex and heterogeneous North American realities.

To write effectively in an academic context is to be able to convey ideas in a manner that is clear, concise, and engaging. Writing in an Academic Context gives you the tools and techniques for this by teaching you about topics such as coherence, cohesion, conciseness, and hedging. The course is extremely hands-on and mostly focused on what comes after the first draft has been written. It helps polish writing skills by 1) teaching the underlying mechanisms of effective academic writing, and 2) providing weekly practice sessions with targeted peer (and tutor) support that serve to consolidate theory and writing skills. In doing so, the course looks beyond the content of academic articles to examine the fundamental mechanics of writing to adapt writing for different audiences across disciplines and concentrations. This course is interactive and writing intensive.

This course examines multiple interactions/connections/confrontations between popular culture products and acts of political and social protest/resistance in the historical and contemporary English-speaking world. It demonstrates how the political and cultural worlds collide/intersect as they study the uses, meanings, symbolic language, motives, and activations of popular culture works in the context of collective acts of protest. The course not only looks at the obvious tension between popular culture and protest, when the former is defined solely along the lines of the "mainstream," but the overlooked and fertile infusion of the two, as in the connections between the abolitionist movement and slave narratives, between the Harlem Renaissance, Jazz, Civil Rights and the Black Arts Movement, between working class activism and realist writing, between modernist experimentation and feminism, between carnivalization and the LGBT movement, between the Windrush Generation, Reggae, Black British poetry, etc. It also explores the activation and sometimes adaptation of popular culture within contexts of collective acts of protest for greater rights/influence/power for marginalized groups organized around gender, sexuality, ethnicity/race, class, generation/age, etc. Employing an interdisciplinary approach, this course draws on concepts and theories from history, literary studies, political communication (among potentially other options), applied to the study of the connections between popular culture actors and their works and sites of collective action. The course firsts gives a general introduction to the core concepts and theories of the course, followed by modules organized around various genres of cultural production, including (but not exclusively) music (e.g. slave songs, Jazz, Reggae, Hip Hop), theatre (e.g. musical theatre, Vaudeville, literature (e.g. slave narratives, Harlem Renaissance, performance poetry, post-colonial texts, graphic novels), visual arts (e.g. Black Arts Movement, protest graffiti), physical monuments (e.g. Confederate statues, imperial figures). The course thus examines the ways that popular culture is mobilized to advance the collective causes of marginalized and disadvantaged groups in their historical and contemporary struggle for liberation and equality, and how "high" as well as "popular" literature play a role in this.

This seminar serves as an introduction to Scottish Studies, an interdisciplinary field combining history, literature, sociology, food studies, and other approaches. The three parts are closely linked both chronologically (focusing on the 18th and 19th centuries) and thematically, all three intertwining themes of food, literature (or writing), and Scottish national identity. The first section looks at the ways in which Scotland was “invented” or reinvented in the late eighteenth and nineteenth centuries. Perceived until the mid-eighteenth century as a backward land ridden with religious strife and tyrannical politics, Scotland emerged as a proud Romantic nation. The seminar first examines the rise of travelling, tourism, and travel-writing as ways of creating and disseminating new representations of the nation. Then the study bears on the cult of two men who lived in the late eighteenth-century: the national "Bard" Robert Burns and Thomas Muir, a lesser-known defender of the French Revolution, victim of tyranny who was celebrated in Bordeaux and Paris and died in 1798, providing inspiration for later generations of democrats. The cult of heroes raises many questions: who became a hero and why? What aspects of their lives were brought forward, what aspects were hidden? What (ideological, nationalist, etc.) purposes did the cult of heroes serve? Who contested heroes and why? What about heroines? A particular focus of interest is the Burns Supper, a tradition closely associated with Scottish identity: invented in 1801, it is still vivid today, has become global and has taken on many different meanings across time and place, serving in particular to celebrate Scotland’s role in the British Empire. The second section examines writing by a selection of nineteenth century Scottish authors and the influence of their texts on cultural life and popular culture in Scotland and the wider world in ensuing centuries. The seminar touches on the afterlives of Walter Scott and Robert Louis Stevenson as international authors; literary and cultural tourism in Scotland and elsewhere; Scottish food and drink as evolving literary tropes as well as the scholarly annotation of 19th-century Scottish texts for the needs of 21st-century readers. Finally, the course witnesses history at work in family recipe books in the 18th and 19th centuries in Scotland: In England and Scotland, the tradition of the landowning gentry keeping recipe books began in the seventeenth century. By the eighteenth century, these accounts had become a way for the elite to establish their way of life as a continuum, a vital and enduring heritage passed down from generation to generation. The National Library of Scotland holds a large collection of cookery books, some of which come from the papers of one particular family: the Malcolm family of Burnfoot in Dumfriesshire. Readers can witness the evolution of these records from the first manuscript written in 1782 to the last one in 1892. Examining the family’s recipe books gives us a glimpse into the food consumption habits of an upper-class Scottish family and serves as a valuable record of their ascension up the social ladder. The way cultural influences can be traced in these recipe books also tells us about history from a different, fascinating angle: that of food.

Jane Austen (1775-1817) is one of the greatest English novelists and, since the First World War, has become a national icon. This module provides an opportunity for in-depth study of her six full-length novels. It explores the various ways in which she transformed the genre of the women's domestic novel into a vehicle for social analysis and commentary. Her novels are full of signs which conveyed to her contemporaries opinions about economics, class, religion, and politics. We shall decode those signs and explore their significance.

This course provides an introduction into the study of eco-criticism and environmental literatures. Students examine a range of literary and theoretical texts towards an understanding of the development and current issues in this growing interdisciplinary area of study. It examines topics such as the representation of landscape, pastoral, the social production of space, pollution, climate change, nature/anti-nature writing and recent work on interspecies relations. Examples for discussion are drawn from a range of genres that include fiction, non-fiction, poetry, and film.