Music

Students will develop the knowledge, competencies and skills necessary for music performance. Areas to be covered include advanced study of instrumental or vocal technique, and specialization in all related aspects of music performance. Formative feedback in individual and group settings will be provided across the semester. The course involves participation in individual lessons, instrument/voice classes, performance class and/or assigned ensemble activities. 

This course examines the ways in which music contributes to well being and health. Students will learn about connections between music, well being and health through exploration of a range of practices across different cultural contexts and considering individual through to population perspectives. The well being and health affordances of music will be examined through integrated theory and research from interdisciplinary music and psychology perspectives. 

The course examines music's various roles in society and the effects of the various ways in which societies are organized on the ways in which music itself is made, heard, and understood. It introduces students to the sociology and psychology of music and encourages them to think conceptually about their own musical activities. The course covers a wide range of musical practices - Western and non-Western, classical and popular, past and present - though it focuses on musical and social developments since the Industrial Revolution.

This course introduces the variety of music in Southeast Asia, from traditional to pop, and contributes to students' understanding of the region. Lectures with audiovisual illustrations, which emphasize cultural and contextual approaches, are complemented by practical instruction in playing Javanese gamelan music. The course explores the different musical aesthetics, changing cultural and social contexts and functions (from village and palace rituals to arts academies, the cassette industry, and concerts), musical and cultural interaction, and the changing musical landscape of Southeast Asia.

The course offers an alternative review of the history of Western concert music to know the most relevant ideas produced by the feminist perspective and to make visible the role that women have played as composers, performers, and patrons of music. It discusses gender inequality, both in the world of music and in Chilean society today.

This course offers a study of the physics and psycho-acoustics of music. Topics include: the physics of sound; generation of sound-- instruments; rhythm; pitch and intervals; musical scales; chord progressions; audio illusions and effects; room acoustics; neuromusicology.

The course encourages students to find new ways to create, structure, and orchestrate/produce their music, to express themselves musically and engagingly, and to develop and challenge their own understanding of music through the creation of new work.

This course offers a study of the evolution of Western music in contemporary times from a historical and stylistic perspective, relating it to the circumstances and context in which it arises and develops, as well as to other artistic and cultural manifestations.