University of Bordeaux

This course focuses on the history of Rome from the foundation of the Republic until the commencement of the imperial era. It explores how the Roman Republic’s political structures allowed it to become the primary power of the Mediterranean and Western worlds. It also explores in depth the authors and historiography of this period.

This course covers how to establish the relationship between chemical and physicochemical mechanisms and the evolution of the quality of a wine. It also covers how to choose the analyses adapted to control or respond to a given problem, carry them out, interpret the results, and give the necessary advice and prescriptions.

This course focuses on the history of Central and Eastern Europe during the mid-15th to mid-17th centuries. Topics include the Holy Roman Empire, The Ottoman Empire, the protestant reformation, Scandinavia, and Russia at this time. Furthermore, it explores the complex relations between these states after the Middle Ages and the creations of the states that would continue into the contemporary era.

This course presents a broad picture of international migration in recent history and a detailed picture of its recent trends. It introduces the analytical and empirical tools that are necessary to evaluate its impact on the host countries.

The course provides a fundamental knowledge of genetics. It covers how traits are passed from one generation to the next, the role of genes in biological functions, methods for mapping genes to chromosomes and predicting risk of transmission of monogenic pathologies, and methods to characterize and/or create an animal model for a genetic disease.

This course delves into the practical aspects of literary translation, focusing on the analysis of translated texts. It examines various issues and challenges that arise during the translation process, including cultural, literary, and linguistic considerations. Close examination of translated works provide insight into the complexities of translation and develop critical thinking skills for evaluating translation choices. Discussions center around the options available for translation, providing a deeper understanding of the strategies and techniques employed in the field. Through a combination of theoretical exploration and practical exercises, the course builds skills in literary translation and develops an appreciation for the art and craft of translation.

This course experiments with and develops various graphic techniques and gestures including engraving, collage, dry techniques, washes, and mixed techniques. It also addresses the question of the nature and status of images (narration, illustration, expression, abstraction). Sessions are accompanied by image analyses to encourage students to be open to the many possible forms of representation. A personal notebook dedicated to graphic practices is kept throughout the year outside of class hours to develop liveliness and mastery of graphic gestures.

This course presents the different theories of cinema that have emerged since 1945. It involves tracing the history of a field where theories, critiques, and practices have constantly influenced each other. Doing film studies does not only mean choosing cinema as an object, but also knowing the history of thought on cinema, in order to be able to grasp contemporary debates on the practice of moving images. This course explores the history of cinema theories of André Bazin, Siegfried Kracauer, Pier Paolo Passolini, Gilles Deleuze, Christian Metz, and Raymond Bellour as well as more recent cinema theories such as feminist perspectives applied to cinema (Laura Mulvey), figural studies (Nicole Brenez),  perspectives interested in the transition to digital (Àngel Quintana), and new practices of images (Jean-Louis Comolli). The course presents film theories through a study of founding texts and a comparison with film extracts. It discusses these theoretical texts with regard to extracts, in order to exercise and refine their analytical skills with the specific notions and concepts of cinema theory.

This course examines the grotesque style, a recurrent feature of American literature, by focusing on fiction works from the nineteenth and twentieth centuries. It begins by covering the definition of the “grotesque” from several scholars, each of whom present the concept differently. The grotesque, therefore, requires special deciphering that is examined in the seminar. An analysis of a selection of grotesque American fiction also allows a study of the reasons for the use of the grotesque and the role it plays.