University of Bordeaux

This course presents the different theories of cinema that have emerged since 1945. It involves tracing the history of a field where theories, critiques, and practices have constantly influenced each other. Doing film studies does not only mean choosing cinema as an object, but also knowing the history of thought on cinema, in order to be able to grasp contemporary debates on the practice of moving images. This course explores the history of cinema theories of André Bazin, Siegfried Kracauer, Pier Paolo Passolini, Gilles Deleuze, Christian Metz, and Raymond Bellour as well as more recent cinema theories such as feminist perspectives applied to cinema (Laura Mulvey), figural studies (Nicole Brenez),  perspectives interested in the transition to digital (Àngel Quintana), and new practices of images (Jean-Louis Comolli). The course presents film theories through a study of founding texts and a comparison with film extracts. It discusses these theoretical texts with regard to extracts, in order to exercise and refine their analytical skills with the specific notions and concepts of cinema theory.

This course examines the grotesque style, a recurrent feature of American literature, by focusing on fiction works from the nineteenth and twentieth centuries. It begins by covering the definition of the “grotesque” from several scholars, each of whom present the concept differently. The grotesque, therefore, requires special deciphering that is examined in the seminar. An analysis of a selection of grotesque American fiction also allows a study of the reasons for the use of the grotesque and the role it plays.

This course represents additional work for the course FR 133B, POPULAR FRENCH MUSIC. This course provides an opportunity to listen to and analyze popular French and francophone songs of the 20th an 21st centuries while discovering French society and culture. It discusses the vocabulary and what the lyrics mean from the author's point of view.

This course focuses on the history of Greek and Roman Antiquity, from the palatial civilizations of the Aegean to the end of the Western Roman Empire. It presents the major chronological and cultural landmarks essential to approaching the history of the ancient Mediterranean worlds and analyzes the main institutional, socio-economic, and religious systems.

This course covers how choose the appropriate sensory analysis and tasting tools and interpret the results to make a judgment on different types of wines and wine by-products. Topics include sensory analysis; vocabulary, writing, and technique; sensory evaluation tests, statistical tools, and processing; and typicality and tasting. 

This course provides an opportunity to participate in theatrical improvisation activities to develop oral skills. It practices expressing oneself in communication situations and learning to adapt to the context. The course includes guided improvisation and writing short dialogues around acts of staged speech. It facilitates development of oral skills through theatrical play; adapting to different communication situations (levels of language, sociocultural codes); learning about writing theatrical dialogue; and discovering French theater and theatrical techniques.

This course covers basic notions about infectious pathologies. With precise and transversal examples, it addresses physiology of the body, the regulation of pathogens, and the mechanisms leading to pathology. It highlights the fragile balance between parasites and hosts.

This course introduce the concepts of environmental impact and resource efficiency. It describes methods to measure and manage environmental impact and resource efficiency, focusing on the life cycle assessment of products in particular, and other system analytical tools in general. The course discusses the results of assessment studies measuring environmental impact and resource efficiency and provides examples from different product groups, including bio-sourced and chemical products.

This course examines the complex articulation between cinema and country of origin in a historical perspective. It questions to what extent these country-specific categories (e.g. Italian cinema, French cinema, German cinema) not only express national specificities but also construct them. It does so in particular from the stereotypes conveyed or constructed by the films of a given period or even a given gender; stereotypes that other films can, on the contrary, attach to or have fun deconstructing. The course uses examples from French, Italian, American, and German films.

This course studies works (mainly literary) from prehistory to try to better understand the power of attraction that this still so enigmatic period in the history of man exerts on the imagination and to explore, particularly from the daydreams and fantasized representations that unfold there, what that they say about us more than about our distant ancestors. The course also provides an opportunity to address, from the texts studied, specifically literary questions, through for example those of genres and registers, the construction of the story or writing resources. Part of this course is devoted to the study of works of youth literature to discover the vision of prehistory that they offer.