Chinese University of Hong Kong

This course examines digital humanities. It will introduce the resources available at CUHK for digital humanities (DS Lab, VR Studio, 3-Printing space, etc.). It will also involve the study of some exciting applications of tools, like VR, text analysis, 3-D modelling and printing, historical mapping, etc. 

This course examines some of the major issues concerning the role of the youth and the challenges confronting them in modern society. The nature of the conventional wisdom of the “youth problem” is critically examined, with the help of concepts and theories in sociology and related fields. 

This course examines the East Asian philosophical and religious traditions of Confucianism, Daoism, and Buddhism both from an internal perspective – how did each tradition represent its own values, goals, practices and methods of devotion – and external perspectives – how did the traditions spread across the East Asian subcontinent, assimilate with traditional cultural norms, and influence art and architecture. In addition to these so-called “three teachings,” we also discuss popular religion in South-east Asia, new combinatory religions such as Aum Shinrikyo and Cao Đài, and the impact of East Asian religious ideas on the West. We will also address religion in modern times, understanding how traditions continue to carve out roles for themselves in a secular world.

This course examines China’s changing international relationships in Asia and beyond through frameworks and concepts in the international relations literature. Part I sets out the context, Part II examines some of the main approaches in international relations, while Part III applies these to questions of regionalism in East Asia, maritime politics, and the Belt and Road Initiative.

This course examines the History of the Modern World – the events, people, and long-term developments which, since the end of the Middle Ages, have shaped and reshaped human society – with a focus on the growth of international developments and the creation of today’s globalized world. Throughout the semester, we will also be interrogating the continued tensions between local identities and dynamics, state centralization and the rise of nationalism, the spread of Western notions of universalism, and non-Western societies’ adaptation to or rejection of those dynamics. What role did the Christianization of Latin America play in the imperial project? What did it mean for a sparsely-populated settler-colonial society to declare that all men are created equal? How “anti-colonial” were the Marxist movements of the Global South?

This course examines the connections between different cinemas within East Asia and between East Asia and the rest of the world from a genre perspective. Hong Kong and Korean film noir, Chinese swordplay and Japanese samurai films, horror films from Hong Kong and Japan: all are examples of the transnational circulation of genres, involving processes of both localization and globalization. Students will be invited to explore genre theory, trace complex webs of creative influences, and appreciate the sameness and difference that characterize both genre films and our globalizing world. They will also have a chance to apply this new knowledge in practice, by making a short “genre film” for screening at the end of the term.

This course examines the study of Chinese characters, with a focus on the nature of the writing system: its origin, structure and development. Issues that relate to the form, pronunciation and meaning of a graph will be examined. 

This course examines ancient Chinese calligraphy before the Qin and Han dynasties. In addition to the training of writing skills, the knowledge of paleography will also be introduced. 

This course examines the configuration of space, place, and identity in relation to languages, gender, and social class in Sinophone literature and culture. Engaging the issues of multiculturalism, linguistic plurality, narrative heteroglossia, and transnational im/mobility. This class probes the concept of the Sinophone and how it relates to, complicates, and challenges China and Chineseness. What is the Sinophone? How does it inform our readings of texts produced outside and on the margin of China and Chineseness? In challenging existing centers of power and hegemony, does the Sinophone form new centers? How does migration during different time periods and across different space shape the cultures of these Sinophone sites? Building on recent scholarship on Sinophone studies, this course draws on postcolonial and postmodern theories to examine a culturally and geographically diverse body of contemporary Sinophone fiction and film.

This course aims to develop a basic level of spatial planning literacy among urban studies students. It's divided into three modules: contemporary issues in spatial planning, the history and evolution of spatial planning and spatial planning as a process; and contemporary issues in spatial planning. Through various case studies, the course sensitizes students to various pertinent spatial planning issues in the specific institutional and legal context of Hong Kong.