COURSE DETAIL
COURSE DETAIL
This course explores works of the Baroque period from the 17th century to the end of the 18th century including architecture, sculpture, and painting.
COURSE DETAIL
COURSE DETAIL
This course enables students to take a critical stance towards the developments within contemporary art as well as towards the manner in which art is dealt with both scientifically and in the economic practices that concern it. For this purpose it shows how the canonical conceptualization of art and the nature of art itself within the metaphysical tradition end in a crisis, in which the accomplishment of both the metaphysical way of thinking and the metaphysical form of art coexists with a new beginning of both these spheres. Rather than proceeding historically, the course involves students in a hands-on study of some core aspects of the outlined crisis, so as to foster both their artistic sense and their analytical capacities in a manner that is attuned to the environment in which they need to operate. The course discusses topics including what is philosophy of art; The first man was an artist; the economist as an artist (and vice versa); metaphysics, aesthetics, and metaphysical art; the path of modernity; art of the end and art of the beginning; space and time in painting, music, sculpture, and poetry; the science of space and time; the science of art; and artistic economics.
COURSE DETAIL
COURSE DETAIL
COURSE DETAIL
COURSE DETAIL
COURSE DETAIL
This course offers an introduction to the history of medieval art in Italy, focusing on selected case studies which are investigated with a multidisciplinary approach and with specific regard to the visual arts. The course consists of three topics. The first topic discusses the Italian Middle Ages, and covers periodization and terminology; artists, patrons, publics, and projects of the arts; and iconographies, techniques, media and materials, and style. The second topic discuss Giotto and the city, Padua in the first half of the 14th century, and the Scrovegni chapel. The third topic discusses the Signorie, Communes, and the art of power in Padua, Milan, Florence, and Siena. This course is taught in a degree program which introduces students to knowledge of Italian language throughout the degree. The first year of instruction in this degree begins in English and then gradually shifts to Italian by the third year. Because this course is taught in the first semester of the first year of the degree, the course is mostly taught in English with some Italian and is appropriate for students who do not speak Italian.
COURSE DETAIL
Pagination
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