Film & Media Studies

Combining images, words/texts, audio, infographics, and art works, this course instructs on how to create short films/documentaries, photo-stories/essays, sound slides, and multimedia research/contents. An overview of the theories, principles and practices related to visual media methods is provided. Furthermore, the course provides exposure to basic scriptwriting, interviewing, photo and video editing, subtitling, photo/video journaling, typography, page and poster designing. Data citation and ethics in media production are also addressed. 

This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrollment is by permission of the instructor. The course analyzes the connections between artistic practices and political issues in relation with the development and expansion of digital technologies. The course gives a historical-political perspective on the evolution of digitization from the birth of the internet to platform capitalism through a visual approach drawing on the main artistic movements that reflected on new technologies. The course is articulated into three parts. First, the course frames a political genealogy of the digital technologies, highlighting the philosophical issues they pose. For this reason, a brief history of the evolution of internet until the burst of platform capitalism is presented. Then, the course focuses on some of the main cultural paradigms about the technological innovation (Californian ideology, Transhumanism, Accelerationism, etc…) to analyze the way they frame the relationship between the digital and the human. Finally, the course explores how artists embedded and renewed such paradigms in their practices and how art changed thanks to the introduction of digital tools (artificial intelligence, NFT, etc.)

Through a detailed examination of a number of recent and contemporary French films, this course fosters an understanding of the network of forces that have shaped French film production since major changes to cultural policy were implemented in France by the socialist Mitterrand administration in 1981. Students profile some of the ways in which French cinema reflects and interacts with French culture and society, and evaluate this in the light of social, political, and cultural shifts in late 20th and 21st century French life. The course is research-based and requires a significant commitment to independent study.

Through movies and other visual materials, this course examines important issues in modern society from a cross-disciplinary perspective. Each lecture features guest speakers who work in the field of making films, videos, and broadcasting. The course reviews specific production methods and a future vision of movies in class discussions. 

This course examines the myriad and often conflicting ways that sex and sexuality have been represented throughout the history of Western cinema, with an emphasis upon Hollywood and American independent film. It begins with early representations of sex and bodies and consider the significant impact and legacy of the Motion Picture Production Code, a ‘morality code’ that was enforced in the United States from the mid-1930s to the 1960s. It then moves on to a diverse range of films and genres including comedy, horror, the musical, exploitation film and art film. It explores ideological, social, ethical and artistic debates within film studies, while also addressing some important subgenres, historical trends, and specific films and filmmakers. 

Through this course, students gain access to research-led lectures and the latest scholarship to properly understand how digital platforms work and the roles they play in society. Students apply this knowledge to case studies to understand how platforms are shaped and where citizens might intervene in their governance. Students engage in debates to think about how to critically engage with technological power and to mitigate the social harms of platforms.

This course is a general overview of the essential basic elements of film sound from the filmmaker's perspective. It investigates and discusses topics mainly from the viewpoint of how sounds are used in film and why. From theory through practical application, all aspects and functions of sound in film are examined. The course provides a basic understanding of how to conceptualize, prepare, and create sound for a film from script through production and post-production.

This course explores the practices and techniques related to both script adaptation and original scriptwriting. Their inter-relationship is an important step for students wishing to establish their scriptwriting skills above a foundation level. Both types of scriptwriting are given equal weight as topics and assessed accordingly. Students gain the ability to adapt a pre-existing text (a prose short story) into a film script; an understanding of the practice and techniques of script adaptation; the ability to write an original script that is not based on a pre-existent script; an understanding of the skills and techniques required for original scriptwriting; and the ability to work the format and discipline of scriptwriting to a suitable level.

This course explores Spanish cinema from its origins to the present day including viewings of some of the most representative films of each era.

The course combines theoretical and empirical content in the analysis of digital campaigning. Digital campaigning is hereby understood as comprising all forms of social and political campaigning that make intense use of digital media. Theoretically it covers a number of concepts and theories that are relevant to the understanding of this issue, including social movement theory, and digital politics theory. Furthermore, it covers a number of important concepts such as the digitization of political activity, the notion of hybrid media system, the consequences of interactivity, crowd-sourcing, networking, and participatory culture for social and political campaigning. Empirically, it will draw on a number of digital campaigns, from social movements, to charity and civil society campaigns. Its geographic scope mostly focuses on the Western context, but with some attempts to explore similar developments in other word areas including India, China, and South America.