Music

This course offers students a chance to play and perform music from different cultures. The focus of the course will change from semester to semester allowing students a chance to participate in different traditional music each term.

The course offers a broad introduction to some of the main areas of music humanities study that students encounter later in their studies. These include 1) an introduction to a key selection of music and music history from the Middle Ages to the 21st century; and 2) an introduction to contemporary topics and methodologies, such as jazz studies, ethnomusicology, or sound studies.

Ireland’s symbolic and gendered construction as a musical nation offers a starting point for discussions of music, gender, and Ireland. Following that, the course surveys a range of genres, performers, and performance platforms from the 19th century onwards to explore the relationship between gender and music in the Irish context. Particular emphasis is given to traditional and popular music examples. 

Jazz music is one of the 20th century's most important and enduring art forms.
It is an original American musical art form which emerged around the beginning of the 20th century in African American communities in the Southern United States. It developed out of the interchange between African and European music traditions. Jazz has also evolved into many styles while absorbing the elements of other music genres and has also influenced other cultures, such as theater, dance, and literature.

One of the basic elements that sets jazz apart from other types of music is improvisation, which is the instant composition of a new melody.
This course addresses the basic theory and foundation for jazz improvisation, through playing, singing, listening, writing, analyzing, and tapping. Through performance practices, the course aims to teach how to apply the theory and how to build a jazz vocabulary. Upon completion of the course, students will have the basic tools to create jazz melodies at a simple harmonic level.

Admission is by audition only, which is held on the first class. The audition will comprise of the following: 
(1) All applicants except the drummer will be required to play the major scale and the harmonic minor scale in a few keys; eighth notes at a tempo of 120 BPM.

(2) Playing session: medium up tempo swing blues in the key of Bb

For the horn player and stringed instrument player: improvised solo
For the pianist and guitarist: accompaniment with reading chord symbols and improvised solo
For the bassist: walking bass line with reading chord symbols
For the drummer: swing beat accompaniment

This course explores significant genres, styles, and representative chamber works from the common practice period to the present day. It also covers relationships between chamber music and its socio-political and cultural contexts; the changing social function of chamber music and musicians; various performance contexts; trends in musical aesthetics; and the evolution of chamber music’s languages and styles. Students undertake individual research projects on selected chamber works, and lead discussions on their chosen work in weekly seminars. 

This course provides a broad foundation in architectural acoustics and the human perception of sound ("psychological acoustics", or "psychoacoustics"), that may be grasped by students from a range of backgrounds. The course brings these subjects together through both theoretical study and a range of practical applications. For example, students explore how the principles of architectural and psychological acoustics have recently come together to drive a revolution in the world of augmented (AR) and virtual reality (VR) systems. This course provides a broad foundation in both architectural and psychological acoustics that combines aspects of acoustics, architecture, engineering, informatics, and music. Whether you are a student of one of these subjects or not, the only formal requirement is that you should have achieved a good pass in mathematics at Higher/A-Level.

The course focuses on mapping and listening to acoustic territories in Berlin. It allows academic research for exploring and understanding the city by sensing aural environments. Structured in theory and practice, the central questions of the course are: Which sonic elements can we encounter in navigating historical and contemporary maps? Which methods of research and practices exist in the act of mapping with sound? How can we generate sound maps? From a transdisciplinary approach, the course reflects the city‘s cultural, social, and political dimensions through analyzing and creating maps by listening. It aims to allow students to explore auditory territories, gain strength, and develop knowledge and individual perspective on cultural studies and urban studies. The mapping methods are practice-based on field recordings, soundwalk, and sound diagramming exercises. The academic readings and discussions introduce the student to the field of sound studies.

This course provides an introduction to programming creative audio applications. The focus is on developing competencies in professional level tools and practices. Students learn to code in C++ within the JUCE environment, a helpful framework for producing standalone audio applications for different devices and operating systems, and for producing VST plugins, audio units, and related technologies.