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Discipline ID
ce129ec3-8092-43c4-b965-f57dc72959a1

COURSE DETAIL

RIFFS: GUITAR CULTURES AND PRACTICE 2
Country
Australia
Host Institution
University of Melbourne
Program(s)
University of Melbourne
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Music
UCEAP Course Number
140
UCEAP Course Suffix
UCEAP Official Title
RIFFS: GUITAR CULTURES AND PRACTICE 2
UCEAP Transcript Title
GUITAR CULTURE&PRAC
UCEAP Quarter Units
6.00
UCEAP Semester Units
4.00
Course Description

This course examines and teaches how to play popular guitar styles that have had widespread impact over the past century, including blues, rock and global folk styles.

Language(s) of Instruction
English
Host Institution Course Number
MUSI20196
Host Institution Course Title
RIFFS: GUITAR CULTURES AND PRACTICE 2
Host Institution Campus
University of Melbourne
Host Institution Faculty
Host Institution Degree
Host Institution Department
Music
Course Last Reviewed
2022-2023

COURSE DETAIL

TOPICS IN POPULAR MUSIC
Country
United Kingdom - Scotland
Host Institution
University of Edinburgh
Program(s)
University of Edinburgh
UCEAP Course Level
Lower Division
UCEAP Subject Area(s)
Music
UCEAP Course Number
21
UCEAP Course Suffix
UCEAP Official Title
TOPICS IN POPULAR MUSIC
UCEAP Transcript Title
TOPICS IN POP MUSIC
UCEAP Quarter Units
8.00
UCEAP Semester Units
5.30
Course Description
This course introduces themes and theoretical frameworks used to approach the study of popular music. With American popular music of the late 19th and 20th centuries acting as something of a case study, students are encouraged to consider issues related to technology, genre, race, gender, capitalism, and colonialism. The course looks beyond canonical artists, genres, and events to consider the ways popular music comes to have meaning and has changed across the decades. This course requires no prior experience with music theory or notation, and is open to all students across the university. Weekly topics are subject to change year to year, but an indicative list might include: defining the popular; technology and listening; African American influences; popular music and protest; and "world" music.
Language(s) of Instruction
English
Host Institution Course Number
MUSI08078
Host Institution Course Title
TOPICS IN POPULAR MUSIC
Host Institution Course Details
Host Institution Campus
Host Institution Faculty
Edinburgh College of Art
Host Institution Degree
Host Institution Department
Course Last Reviewed
2024-2025

COURSE DETAIL

INTRODUCTION TO KOREAN MUSICAL CULTURE
Country
Korea, South
Host Institution
Seoul National University
Program(s)
Seoul National University
UCEAP Course Level
Lower Division
UCEAP Subject Area(s)
Music Asian Studies
UCEAP Course Number
19
UCEAP Course Suffix
UCEAP Official Title
INTRODUCTION TO KOREAN MUSICAL CULTURE
UCEAP Transcript Title
KOR MUSICAL CULTR
UCEAP Quarter Units
4.50
UCEAP Semester Units
3.00
Course Description

This introduces Korean traditional music—genres, aesthetics, and performance styles. The course uses music as a medium through which we can better understand Korean culture, and makes use of audiovisual materials and live performance to enhance course content. The course is open to both Korean and International students who have an interest in Korean traditional and contemporary musical cultures.

Language(s) of Instruction
English
Host Institution Course Number
055.021
Host Institution Course Title
INTRODUCTION TO KOREAN MUSICAL CULTURE
Host Institution Course Details
Host Institution Campus
Host Institution Faculty
Host Institution Degree
Host Institution Department
Liberal Education
Course Last Reviewed
2021-2022

COURSE DETAIL

CREATIVE MUSIC TECHNOLOGY
Country
United Kingdom - Scotland
Host Institution
University of Edinburgh
Program(s)
University of Edinburgh
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Music
UCEAP Course Number
113
UCEAP Course Suffix
UCEAP Official Title
CREATIVE MUSIC TECHNOLOGY
UCEAP Transcript Title
CREATIVE MUSIC TECH
UCEAP Quarter Units
8.00
UCEAP Semester Units
5.30
Course Description
This course takes the recording and sound processing skills already introduced to students in Sound Recording and develops these further, within a studio context, to creative ends. In this course, new concepts in sound and music creation are introduced to encourage independent and innovative usage of music technology in compositions. Utilizing both analog and digital methods, students learn new electronic musical instrument integration methods and ways of integrating traditional instruments and sampling. These include the use of laptops, as well as hardware instruments. Tutorials help develop these methods and prepare students for their practical works and report.
Language(s) of Instruction
English
Host Institution Course Number
MUSI08057
Host Institution Course Title
CREATIVE MUSIC TECHNOLOGY
Host Institution Course Details
Host Institution Campus
Edinburgh
Host Institution Faculty
Host Institution Degree
Host Institution Department
Music
Course Last Reviewed

COURSE DETAIL

INTRODUCTION TO MUSIC TECHNOLOGY
Country
New Zealand
Host Institution
University of Auckland
Program(s)
University of Auckland
UCEAP Course Level
Lower Division
UCEAP Subject Area(s)
Music
UCEAP Course Number
15
UCEAP Course Suffix
UCEAP Official Title
INTRODUCTION TO MUSIC TECHNOLOGY
UCEAP Transcript Title
MUSIC TECHNOLOGY
UCEAP Quarter Units
6.00
UCEAP Semester Units
4.00
Course Description
This course provides an overview of the technology available to assist musicians and an introduction to modern music production. Topics include Modern DAW (Digital Audio Workstation) functionality, MIDI and audio recording and editing, synthesis, and multi-track mixing.
Language(s) of Instruction
English
Host Institution Course Number
MUS130
Host Institution Course Title
INTRODUCTION TO MUSIC TECHNOLOGY
Host Institution Course Details
Host Institution Campus
Auckland
Host Institution Faculty
Host Institution Degree
Host Institution Department
Music
Course Last Reviewed

COURSE DETAIL

POPULAR MUSIC AND CULTURE
Country
Ireland
Host Institution
University College Dublin
Program(s)
University College Dublin
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Music
UCEAP Course Number
132
UCEAP Course Suffix
UCEAP Official Title
POPULAR MUSIC AND CULTURE
UCEAP Transcript Title
POPULAR MUSIC&CULTR
UCEAP Quarter Units
4.00
UCEAP Semester Units
2.70
Course Description
This course examines the development of western popular music from the 1950s to the present day. Although the course content is arranged chronologically, the course is not an exhaustive survey. Rather, each week focuses on a selected genre or thread in modern popular music, from rock and roll to hip-hop to underground and dance music; by examining these genres and threads, students are introduced to theoretical frameworks by which they can analyze and understand the music in question. These frameworks include media theory, gender and performativity, and the critical examination of race and identity. The course also focuses more broadly on how popular music propagates itself over time via its relationship to technology, cultural and subcultural movements, and political currents. Although the course does introduce and employ a few basic musical-analytical concepts, it is an elective course and has no prerequisites.
Language(s) of Instruction
English
Host Institution Course Number
MUS20310
Host Institution Course Title
POPULAR MUSIC AND CULTURE
Host Institution Course Details
Host Institution Campus
UC Dublin
Host Institution Faculty
Host Institution Degree
Host Institution Department
Music
Course Last Reviewed

COURSE DETAIL

INTRODUCTION TO MUSIC AND PHILOSOPHY
Country
Hong Kong
Host Institution
Chinese University of Hong Kong
Program(s)
Chinese University of Hong Kong
UCEAP Course Level
Lower Division
UCEAP Subject Area(s)
Philosophy Music
UCEAP Course Number
15
UCEAP Course Suffix
UCEAP Official Title
INTRODUCTION TO MUSIC AND PHILOSOPHY
UCEAP Transcript Title
INTRO MUSIC & PHIL
UCEAP Quarter Units
4.50
UCEAP Semester Units
3.00
Course Description

This introductory course examines music and philosophy as intersecting practices through which human beings give meaning to the world around them. By exploring philosophy through music and music through philosophy from cross-cultural perspectives, the course looks at the variety of ways that knowledge, existence, religion, ethics, politics, culture, and sound converge.

Language(s) of Instruction
English
Host Institution Course Number
ARTS1005
Host Institution Course Title
INTRODUCTION TO MUSIC AND PHILOSOPHY
Host Institution Campus
Host Institution Faculty
Host Institution Degree
Host Institution Department
Course Last Reviewed
2022-2023

COURSE DETAIL

MUSIC AND TECHNOSCIENCE: CULTURAL AND HISTORICAL PERSPECTIVES
Country
United Kingdom - Scotland
Host Institution
University of Edinburgh
Program(s)
University of Edinburgh
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Music
UCEAP Course Number
106
UCEAP Course Suffix
UCEAP Official Title
MUSIC AND TECHNOSCIENCE: CULTURAL AND HISTORICAL PERSPECTIVES
UCEAP Transcript Title
MUSIC&TECHNOSCIENCE
UCEAP Quarter Units
8.00
UCEAP Semester Units
5.30
Course Description
The ongoing interaction between music, the sciences, and engineering is emerging as a major concern in 21st century musicology and sound studies. In this course, students survey this new body of literature, covering topics from the renaissance to the present day, in order to understand why this interaction matters, and how it can inform our understanding of musical materials and musical ideas. The course examines some of the ways that music has been treated as an object of scientific study, as well as the ways that music has been used by scientists and engineers to understand other aspects of nature, culture, and society. It also assesses the degree to which science and engineering have contributed to the progress of musical aesthetics. Using case studies from the history of music, musical instruments, and musicology it also introduces key concepts in the philosophy and sociology of modern science.
Language(s) of Instruction
English
Host Institution Course Number
MUSI10096
Host Institution Course Title
MUSIC AND TECHNOSCIENCE: CULTURAL AND HISTORICAL PERSPECTIVES
Host Institution Course Details
Host Institution Campus
Edinburgh
Host Institution Faculty
Host Institution Degree
Host Institution Department
Music
Course Last Reviewed

COURSE DETAIL

PEAK PERFORMANCE UNDER PRESSURE
Country
Australia
Host Institution
University of Melbourne
Program(s)
University of Melbourne
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Music
UCEAP Course Number
101
UCEAP Course Suffix
UCEAP Official Title
PEAK PERFORMANCE UNDER PRESSURE
UCEAP Transcript Title
PEAK PERFORMANCE
UCEAP Quarter Units
6.00
UCEAP Semester Units
4.00
Course Description
This course focuses on the factors that facilitate optimal performance in music and the performing arts, sports, business, public speaking, teaching, and educational activities. Underpinned by theoretical frameworks, research findings, and real-world examples, this subject engages students in practical strategies commonly used to achieve optimal performance.
Language(s) of Instruction
English
Host Institution Course Number
MUSI20203
Host Institution Course Title
PEAK PERFORMANCE UNDER PRESSURE
Host Institution Course Details
Host Institution Campus
Melbourne
Host Institution Faculty
Host Institution Degree
Host Institution Department
Music
Course Last Reviewed

COURSE DETAIL

SOUNDSCAPE/SOUND ART: CONCEPTS AND PRACTICES
Country
Taiwan
Host Institution
National Taiwan University
Program(s)
National Taiwan University
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Music
UCEAP Course Number
108
UCEAP Course Suffix
UCEAP Official Title
SOUNDSCAPE/SOUND ART: CONCEPTS AND PRACTICES
UCEAP Transcript Title
SOUNDSCAPE/SOUND
UCEAP Quarter Units
4.50
UCEAP Semester Units
3.00
Course Description

This course deals with the concept of soundscape and the practices of sound art. Soundscape is a mental tool to listen to and to understand environment; it is also an engaging dialogue with our “umwelt.” Sound art is an array of actions and interventions to enhance and distort perception of sounds. This course includes presentations of research and artwork dealing with these topics; video documentation, attentive listening, explanation of the background of the artists and discussion about the aesthetic questions that they raise; practical processes; assemblage, a collective creation; production of a flow of small-scale creations that are progressively gathered into a publication; some outdoor sessions, some of the class happen in various urban or semi-urban environment to be able to discuss about field practices and in-site artworks where it happens. Assessment: participation, assignements, final project.

Language(s) of Instruction
English
Host Institution Course Number
Music5083
Host Institution Course Title
SOUNDSCAPE/SOUND ART: CONCEPTS AND PRACTICES
Host Institution Campus
Host Institution Faculty
Host Institution Degree
Host Institution Department
Musicology
Course Last Reviewed
2022-2023
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