Discipline ID
ce129ec3-8092-43c4-b965-f57dc72959a1

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LITERATURE AND FILM: TRISTAN AND ISEULT
Country
France
Host Institution
University of Bordeaux
Program(s)
University of Bordeaux
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
French Film & Media Studies
UCEAP Course Number
138
UCEAP Course Suffix
A
UCEAP Official Title
LITERATURE AND FILM: TRISTAN AND ISEULT
UCEAP Transcript Title
TRISTAN & ISEULT
UCEAP Quarter Units
4.50
UCEAP Semester Units
3.00
Course Description
The Middle Ages produced a formidable reservoir of myths that have many contemporary recreations, particularly in cinema. In this course, a medieval legend (Tristan and Iseult) is chosen and compared with its contemporary cinematic recreations. The purpose is to analyze the modern films' usage of the medieval legend and its application to the contemporary universe.
Language(s) of Instruction
French
Host Institution Course Number
LDL4M726
Host Institution Course Title
LITTÉRATURE ET CINÉMA
Host Institution Course Details
Host Institution Campus
UNIVERSITÉ BORDEAUX MONTAIGNE
Host Institution Faculty
Host Institution Degree
Host Institution Department
Lettres
Course Last Reviewed

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INTRODUCTION TO GAME STUDIES
Country
France
Host Institution
University of Bordeaux
Program(s)
University of Bordeaux
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Sociology Film & Media Studies
UCEAP Course Number
144
UCEAP Course Suffix
UCEAP Official Title
INTRODUCTION TO GAME STUDIES
UCEAP Transcript Title
GAME STUDIES
UCEAP Quarter Units
4.50
UCEAP Semester Units
3.00
Course Description
In this course, the history of the medium of video games is approached as a factual chronology and a process of self-definition, as demonstrated by the rise of retro-gaming. The course also considers the history of video games by the way of contemporary “independent” games and it rewrites this history in order to better to establish their alternative credentials.
Language(s) of Instruction
English
Host Institution Course Number
MIA1Y28
Host Institution Course Title
INTRODUCTION TO GAME STUDIES
Host Institution Course Details
Host Institution Campus
UNIVERSITÉ BORDEAUX MONTAIGNE
Host Institution Faculty
Host Institution Degree
Host Institution Department
Master: Etudes anglophones
Course Last Reviewed

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GLOBAL CULT CINEMA
Country
United Kingdom - England
Host Institution
King's College London
Program(s)
King's College London
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Film & Media Studies
UCEAP Course Number
132
UCEAP Course Suffix
UCEAP Official Title
GLOBAL CULT CINEMA
UCEAP Transcript Title
GLOBAL CULT CINEMA
UCEAP Quarter Units
6.00
UCEAP Semester Units
4.00
Course Description
The canon of cult cinema has traditionally privileged American cinema, from the low budget B-movies of Ed Wood through to the transgressive early work of John Waters. This course broadens the corpus to explore cult cinema as a global form, bringing popular world cinema into dialogue with cult discourses that have previously been focused on American cinema. The course establishes key debates within the field of cult cinema studies in relation to the American films that inspired them, discussing the politics of taste, subcultural reception, aesthetic relativism, subversion, and transgression. It examines the tensions underpinning the implicit distinction between cult and mainstream, and the ways in which this subcultural formation has been predominantly conceptualized in relation to race and gender. The course investigates a range of national and transnational contexts in order to interrogate the assumed West-centrism of cult discourse, as well as examine the suitability of the term for understanding films and fandoms outside of the U.S. Screenings include films from Asia, Europe, Latin America,and the North American cult canon.
Language(s) of Instruction
English
Host Institution Course Number
6AAQS406
Host Institution Course Title
GLOBAL CULT CINEMA
Host Institution Campus
King's College London
Host Institution Faculty
Host Institution Degree
Host Institution Department
Film Studies
Course Last Reviewed
2019-2020

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MEMORY AND HUMAN RIGHTS: CHILEAN LITERATURE, FILM, AND MEDIA
Country
Chile
Host Institution
University Alberto Hurtado (Multi-Site)
Program(s)
Human Rights and Cultural Memory
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Latin American Studies Film & Media Studies Comparative Literature
UCEAP Course Number
166
UCEAP Course Suffix
UCEAP Official Title
MEMORY AND HUMAN RIGHTS: CHILEAN LITERATURE, FILM, AND MEDIA
UCEAP Transcript Title
MEM&HUM RGHTS/CHILE
UCEAP Quarter Units
4.50
UCEAP Semester Units
3.00
Course Description

This course discusses memory and human rights from the perspective of Chilean literary and cultural production of the dictatorial and post-dictatorial period. It reviews some of the most important works published and performed within the last four decades. Selections include three main literary genres each week: the novel, poetry, and theater/film. The discussion of these materials also includes theoretical studies about the period in question and the importance and difficulties of human rights and memory as social practices.

Language(s) of Instruction
English
Host Institution Course Number
Host Institution Course Title
Host Institution Course Details
Host Institution Campus
Host Institution Faculty
Host Institution Degree
Host Institution Department
Course Last Reviewed
2022-2023

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ASIAN HORROR CINEMA: NATIONAL NIGHTMARES AND SPECTERS OF TRAUMA
Country
Canada
Host Institution
University of British Columbia
Program(s)
University of British Columbia
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Film & Media Studies Asian Studies
UCEAP Course Number
105
UCEAP Course Suffix
UCEAP Official Title
ASIAN HORROR CINEMA: NATIONAL NIGHTMARES AND SPECTERS OF TRAUMA
UCEAP Transcript Title
ASIAN HORROR CINEMA
UCEAP Quarter Units
6.00
UCEAP Semester Units
4.00
Course Description

This course examines why we watch horror, and how are we reflected in it. It explores national cinemas of the Asian region, including Japan, South Korea, Hong Kong, Indonesia, and more, inquiring why humans create and consume films with disturbing or violent content, and how that content can help us process issues connected to our nations, cultures, and identities. Each film will be discussed in its cultural, historical, and political context, and secondary readings will allow students to approach the films through various lenses such as psychology, gender theory, media theory, and more.

Language(s) of Instruction
English
Host Institution Course Number
ASIA 305
Host Institution Course Title
ASIAN HORROR CINEMA: NATIONAL NIGHTMARES AND SPECTERS OF TRAUMA
Host Institution Course Details
Host Institution Campus
Host Institution Faculty
Host Institution Degree
Host Institution Department
Course Last Reviewed
2022-2023

COURSE DETAIL

SOCIAL MEDIA
Country
New Zealand
Host Institution
University of Auckland
Program(s)
University of Auckland
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Film & Media Studies Communication
UCEAP Course Number
104
UCEAP Course Suffix
UCEAP Official Title
SOCIAL MEDIA
UCEAP Transcript Title
SOCIAL MEDIA
UCEAP Quarter Units
6.00
UCEAP Semester Units
4.00
Course Description

This course examines the use of social media and considers in particular the influence of new media corporations such as Facebook, as well as platforms like Twitter, SnapChat, Tinder and YouTube. It explores our cultural practices and social rituals in relation to these peer-to-peer, one-to-many media technologies, and examines this revolution in the media landscape.

Language(s) of Instruction
English
Host Institution Course Number
COMMS 204,MEDIA 214
Host Institution Course Title
SOCIAL MEDIA
Host Institution Course Details
Host Institution Campus
Auckland
Host Institution Faculty
Host Institution Degree
Host Institution Department
Course Last Reviewed
2024-2025

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AUDIOVISUAL AESTHETICS
Country
Norway
Host Institution
University of Oslo
Program(s)
University of Oslo
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Film & Media Studies
UCEAP Course Number
102
UCEAP Course Suffix
UCEAP Official Title
AUDIOVISUAL AESTHETICS
UCEAP Transcript Title
AUDIOVISUAL AESTHTC
UCEAP Quarter Units
8.00
UCEAP Semester Units
5.30
Course Description

This course is a theoretical and analytical introduction to the narratives, styles, and genres of audiovisual media such as film, television, and animation. These audiovisual media are diverse variants of what historically have been termed moving images, defined by media philosopher Noël Carroll as “a mode of communication and expression that can be implemented cinematically, videographically, digitally, and/or in ways which we still have to conceive.” As an introductory course in media and communication studies, this course also offers insight and introductory exercise in scholarly reading, scholarly thinking, and academic writing.

Language(s) of Instruction
English
Host Institution Course Number
MEVIT1110
Host Institution Course Title
AUDIOVISUAL AESTHETICS
Host Institution Campus
Host Institution Faculty
Humanities
Host Institution Degree
Host Institution Department
Media and Communication
Course Last Reviewed
2023-2024

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EXPERIMENTAL CINEMA AND NEW MEDIA: FORM AND NARRATIVE
Country
United Kingdom - England
Host Institution
University College London
Program(s)
University College London
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Film & Media Studies
UCEAP Course Number
126
UCEAP Course Suffix
UCEAP Official Title
EXPERIMENTAL CINEMA AND NEW MEDIA: FORM AND NARRATIVE
UCEAP Transcript Title
EXPR CIN NEW MEDIA
UCEAP Quarter Units
6.00
UCEAP Semester Units
4.00
Course Description
This course looks at relationship between experimental film-making, documentary and interactive technology, in a rapidly expanding mediascape. This course will explore the history of non-linear storytelling approaches, within the realm of film, video, digital, interactive media and VR, guiding the students through a path that will bring them to design a first experimental interactive project of their own. Experimental films have challenged linear storytelling in a wide range of artistic, poetic, humorous, political and highly creative ways, always distinguishing themselves by a non-linear and non-narrative movement of thought that draws on many different sources of knowledge. Digital media, immersed in a cross- and trans-media landscape, are now embracing a stronger focus on non-linearity and the redefinition of the relationship between story and audience. Through embodiment, haptic enablers and 360° immersive storytelling, digital storytellers are exploring new and innovative applications that may well become part of the conventions of the future.
Language(s) of Instruction
English
Host Institution Course Number
ANTH0083
Host Institution Course Title
EXPERIMENTAL CINEMA AND NEW MEDIA: FORM AND NARRATIVE
Host Institution Course Details
Host Institution Campus
University College London
Host Institution Faculty
Host Institution Degree
Host Institution Department
Anthropology
Course Last Reviewed

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MEDIA AND CULTURAL STUDIES
Country
Japan
Host Institution
International Christian University
Program(s)
International Christian University
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Film & Media Studies Communication
UCEAP Course Number
124
UCEAP Course Suffix
UCEAP Official Title
MEDIA AND CULTURAL STUDIES
UCEAP Transcript Title
MEDIA & CULTURE
UCEAP Quarter Units
4.00
UCEAP Semester Units
2.70
Course Description
This course introduces key theoretical approaches to media as technologies and cultural forms. It first explores the media's relation to two ongoing processes underlying contemporary society and culture: globalization and digitization. It then discusses how media globalization and digitization have shaped our daily experiences; and been associated with critical issues concerning the construction of our identities and societies. Topics include an examination of the production, consumption, circulation and regulation of a wide range of media texts and cultural artifacts (e.g., magazines, television programs, music, fashion), and how they resonate in everyday life on the individual, local, national, and global levels; the audiences and their consumption of media and cultural texts; how the notion of audiences has evolved in the changing global media landscape; and how consumption of media and cultural texts (as a form of everyday practice) is concerned with various forms of cultural politics and power. Other course topics include: media globalization and spaces of identity, media convergence: towards digital cultures; the Japanese Craze; the Korean Wave; from Reality TV to YouTube: A democratic or demotic turn; fan cultures and use-led transnationalism.
Language(s) of Instruction
English
Host Institution Course Number
MCC252E
Host Institution Course Title
CULTURAL STUDIES I
Host Institution Course Details
Host Institution Campus
Host Institution Faculty
Host Institution Degree
Host Institution Department
Media, Communication and Culture
Course Last Reviewed

COURSE DETAIL

WAR ON SCREENS
Country
France
Host Institution
Sciences Po Reims
Program(s)
Sciences Po Reims
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Film & Media Studies
UCEAP Course Number
103
UCEAP Course Suffix
UCEAP Official Title
WAR ON SCREENS
UCEAP Transcript Title
WAR ON SCREENS
UCEAP Quarter Units
4.50
UCEAP Semester Units
3.00
Course Description
This seminar addresses the possibly complicated relationships between war and cinema: films used as a means to prepare war and then to wage it; warlike phenomenon as it is actually described (or not) in movies; cinema used to (try to) tell about what war is for the combatants and for the civilians who endure it, and/or on the home front; relationships between films and the memory(ies) of war. Whilst wars of the twentieth and twenty-first centuries are the primary focus of the seminar, incursions in a wider chronology occur occasionally in the course. The work is based on the study of movies: screenplays, directors, and actors; context of production and of financing; nature (fiction or documentary); content (plot, main characters, stylistic choices, possible messages); reception; situation in the history and the memory of the warlike phenomenon. Some more in-depth and more critical analyses of specific scenes are strongly encouraged. The course occasionally uses series and also relies on the books from which some of the films were made. For example: ALL QUIET ON THE WESTERN FRONT, CAPITAINE CONAN, LA CHAMBRE DES OFFICIERS, ARMY OF SHADOWS, THE RAILWAY MAN, THE SILENCE OF THE SEA, SUITE FRANCAISE, HEART OF DARKNESS (FOR APOCALYPSE NOW).
Language(s) of Instruction
English
Host Institution Course Number
15321
Host Institution Course Title
WAR ON SCREENS
Host Institution Course Details
Host Institution Campus
Seminar
Host Institution Faculty
Host Institution Degree
Host Institution Department
Journalism & Communication
Course Last Reviewed
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